Organization

Conductor

Gregor Rot

Stage director

Theater Bielefeld

Orchestra

Bielefelder Philharmoniker

3. Kinderkonzert

Bielefeld

Germany

3. Kinderkonzert: Concert

Private

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Bass

Bass-baritone

Mezzo-soprano

Contralto

Baritone

Tenor

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Anyone who plays or learns an instrument knows them, the accidentals. As sharps or »B«s they are at the beginning of a piece and can, depending on the mood, cause frustration or amusement when learning the same, if what is being played does not sound as it should. But why are there different tones at all? Wouldn't the musical world be much simpler with C major and A minor? Why are composers chasing musicians through the entire circle of fifths and why are there two tones, major and minor, between which the keys are divided? Has a musical theme, e.g. B. that of a symphony, in D major a different effect than in C / E flat or F sharp major? We will get to the bottom of these and other questions in the children's concert.

English

Jeder, der ein Instrument spielt oder lernt, kennt sie, die Vorzeichen. Als Kreuze oder »B«s stehen sie am Anfang eines Stückes und können beim Erlernen desselben je nach Laune für Frust oder Erheiterung sorgen, wenn das Gespielte nicht so klingt, wie es eigentlich sollte. Aber warum gibt es überhaupt verschiedene Tonarten? Wäre nicht mit C-Dur und a-Moll die musikalische Welt viel einfacher? Warum jagen Komponist* innen Musiker*innen durch den gesamten Quintenzirkel und warum gibt es überhaupt die beiden Tongeschlechter Dur und Moll, auf die sich die Tonarten verteilen? Hat ein musikalisches Thema, z. B. das einer Symphonie, in D-Dur eine andere Wirkung als in C-/Es- oder Fis-Dur? Diesen und anderen Fragen werden wir in dem Kinderkonzert auf den Grund gehen.

Deutsch

3. Kinderkonzert by Various, sun 12 feb 2023, Frá (2023/2023), Leikstýrt af Gregor Rot,, Hljómsveitarstjóri Gregor Rot

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