Name: 6th Chamber Concert
Start: 2022-06-01T00:00:00.000Z
End: 2022-06-01T00:00:00.000Z
Location: Kultur- und Kongresszentrum - Liederhalle

Organization

Singer

Christina Becker

No role specified

Orchestra

Staatsorchesters Stuttgart

Staatsoper Stuttgart

6th Chamber Concert

Stuttgart

Germany

Kultur- und Kongresszentrum - Liederhalle

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Soprano

Baritone

Countertenor

Bass

Tenor

Bass-baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

From the Viennese waltz to the tango: with the Five Pieces for string quartet from 1923, Erwin Schulhoff caught the pulse of his time. For the Czech composer, who himself had an “unbelievable passion” for dance and absorbed various modern trends like a sponge, jazz also played a crucial role. A few years later, this inspired his compatriot Bohuslav Martinů to create his jazz ballet “La Revue de Cuisine”, a turbulent love story between pot, lid and other kitchen residents. The humorous work was created during his time in Paris, the most important center of the artistic avant-garde. Here Martinů completed his studies with Albert Roussel, who in turn had learned his craft from Vincent d'Indy. The latter was rather distant from modern developments and preferred to pay homage to two baroque dances with "Sarabande et Minuet". The minuet not only found its way into the instrumental forms of Viennese classicism, such as in Haydn's string quartet, but also fascinated the impressionist Claude Debussy. With the minuet of his Petite Suite, he recalls the gallant court parties of the past, before the suite culminates in a lively ballet with the character of a waltz.

English

6th Chamber Concert by Various, az. 01 eka. 2022, Noiztik (2022/2022), Kultur- und Kongresszentrum - Liederhalle, Stuttgart, Germany

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