Name: 7. Sinfoniekonzert
Start: 2024-03-21T00:00:00.000Z
End: 2024-03-22T00:00:00.000Z
Location: Opernhaus

Organization

Conductor

Alexander Merzyn

Instrumentalist

Polina Tarasenko

Trombone

Theater Magdeburg

Orchestra

Magdeburg Philharmonic

7. Sinfoniekonzert

Magdeburg

Germany

Opernhaus

Bühne

Private

Public

My Fatherland

Trombone Concerto in C

Symphony No. 9 in E Minor, op. 95 B. 178

Fantastic Polka

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Singer

Soprano

Tenor

Bass

Countertenor

Bass-baritone

Contralto

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

If one thinks of the classical solo concerto, the trombone as a concerting instrument does not immediately come to mind. The Italian composer Nino Rota, today primarily known for his internationally successful film music, devoted himself to this instrument despite – or precisely because of this – and proves with his concerto for trombone and orchestra the tonal versatility it offers. With virtuoso playing techniques, Rota impressively demonstrates the singing qualities and harmonic flexibility of this instrument, which far too rarely appears as a solo instrument.
Arthur Pryor treats the trombone with similar virtuosity in his Fantastic Polka. Trained on this instrument and as leader of the Sousa Band, he knew how to use the playing techniques very well and combined the developments in light music at the beginning of the 20th century with the classical accompaniment of a concert piece and the lively rhythms of the polka. Alexander Merzyn, GMD of the Staatstheater Cottbus, and the 23-year-old Ukrainian trombonist Polina Tarasenko will focus on this unusual solo instrument.

English

Denkt man an das klassische Solokonzert, kommt einem nicht zuallererst die Posaune als konzertierendes Instrument in den Sinn. Der italienische Komponist Nino Rota, heute vorrangig für seine international erfolgreichen Filmmusiken bekannt, widmete sich dennoch – oder gerade deshalb – diesem Instrument und beweist mit seinem Konzert für Posaune und Orchester, welche klangliche Vielseitigkeit es bietet. Eindrucksvoll demonstriert Rota mit virtuosen Spieltechniken die sanglichen Qualitäten und die harmonische Flexibilität dieses Instruments, das viel zu selten solistisch in Erscheinung tritt.
Ähnlich virtuos behandelt auch Arthur Pryor die Posaune in seiner Fantastic Polka. An diesem Instrument ausgebildet und als Leiter der Sousa Band wusste er die Spieltechniken bestens zu nutzen und verband die Entwicklungen der Unterhaltungsmusik zu Beginn des 20. Jahrhunderts mit der klassischen Begleitung eines Konzertstücks und den beschwingten Rhythmen der Polka. Den Fokus auf dieses ungewöhnliche Soloinstrument setzen Alexander Merzyn, GMD des Staatstheaters Cottbus, und die 23-jährige ukrainische Posaunistin Polina Tarasenko.

Deutsch

7. Sinfoniekonzert by Smetana, Rota, Dvořák, Pryor, ol. 22 mar. 2024, Noiztik (2024/2024), Zuzendaria Alexander Merzyn, Opernhaus, Magdeburg, Germany

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