Name: Adam Fischer & Dorottya Láng & Miklós Sebestyén
Start: 2022-10-30T00:00:00.000Z
End: 2022-10-30T00:00:00.000Z
Location: Berliner Philharmonie

Artist

Admin

Stage director

Adam Fischer

Rundfunk-Sinfonieorchester Berlin

Berliner Philharmoniker

Singer

Bass-baritone

Miklós Sebestyén

Bluebeard

Soprano

Dorottya Láng

Judith

Orchestra

Ungeriż

Cristina Pardo Ramírez

Adam Fischer & Dorottya Láng & Miklós Sebestyén

Berlin

Germany

Berliner Philharmonie

Public

Concert

Oratorio / Orchestral

Bluebeard's Castle

Fidelity Rewarded

Symphony No. 97 in C major, Hob. I:97

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass

Baritone

Mezzo-soprano

Contralto

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Adam Fischer comes to the RSB for the first time and has Hungarian music in his luggage. Yes, Haydn is also a must! Then Bartók, the man-woman drama “Bluebeard’s Castle”. Bluebeard’s castle – according to the lyricist Balázs – is not a real fortress made of stone: it is Bluebeard’s soul. Consequently, it does not need the “mighty Gothic hall” that Balázs nevertheless imagined, blood everywhere: on executioner’s axes, golden jewellery and rose stems. Today, this seems like kitsch on the verge of the ridiculous. So what could be more natural than to perform Bartók’s magnificent music for the psychoanalytical chamber play in the concert hall? “This work is a masterpiece, a compressed tragedy, a musical volcano that erupts for sixty minutes and leaves us with only one wish: to hear the whole thing again.” (Zoltán Kodály)

English

Adam Fischer kommt zum ersten Mal zum RSB und hat Ungarisches im Gepäck. Ja, auch Haydn gehört unbedingt dazu! Sodann Bartók, das Mann-Frau-Seelendrama „Blaubarts Burg“. Blaubarts Burg – so der Textdichter Balázs – ist keine reale Festung aus Stein: Sie ist Blaubarts Seele. Folglich braucht sie die „mächtige gotische Halle“ nicht, die sich Balázs dennoch vorgestellt hat, überall Blut: auf Henkersbeilen, güldenem Geschmeide und Rosenstielen. Das mutet heute wie Kitsch am Rande des Lächerlichen an. Was liegt also näher, als Bartóks großartige Musik zu dem psychoanalytischen Kammerspiel im Konzertsaal aufzuführen? „Dieses Werk ist ein Meisterstück, eine komprimierte Tragödie, ein musikalischer Vulkan, der sechzig Minuten lang ausbricht und uns mit nur einem Wunsch zurücklässt: das Ganze noch einmal zu hören.“ (Zoltán Kodály)

Deutsch

Adam Fischer & Dorottya Láng & Miklós Sebestyén by Bartók, Haydn, Minn (2022/2022), Immexxi minn Adam Fischer,, Berliner Philharmonie, Berlin, Germany

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Kast

Ensemble

Programm, Dwar & Sinossi

Aktar qari

Dati u Postijiet ta' Prestazzjoni

Postijiet