Name: Age of Sensibility
Start: 2012-07-01T00:00:00.000Z
End: 2012-07-01T00:00:00.000Z
Location: City Hall

Organization

Singer

Soprano

Colette Lam

Kwong Liling

Tenor

Chen Yong

Baritone

Zeng Yuxuan

Stage director

Lo Kingman

Pianist

Yu Bida

Wu Shengzhong

Zhao Xiaojing

Fu Jiacong

Musica Viva Singers

Age of Sensibility

Hong Kong

Hong Kong SAR China

City Hall

Age of Sensibility: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Bass

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

At the turn of the eighteenth century, changes in social and political order over Europe led to a series of aftershocks which gave way to the new ideology of Romanticism. The new spirit which championed individual creativity and expression over exiting form and order were reflected in the arts. In music, the Romantic sensibility was resonated in both extant genres (such as operas, symphonies and chamber music) and new ones (namely, the

programme symphony and art songs). With the large numbers of lieder of Schubert and Schumann, the two proved that the expressive powers of the miniature art song were no less than that of an extended symphony. In fact, out of all the Romantic genres of nineteenth century, it was the art song which managed to transcend geographic and cultural boundaries and became a universal vehicle for expression.

In Paris, while Hector Berlioz remained unchallenged in his imaginative powers and boldness as the iconic Romantic composer, his vocal music exhibited a sense of nuances and subtlety, which were the essential qualities of the Romantic art song. The French melodies continued to thrive in the hands of Gabriel Faure, whose refined and understated style served as a model for upcoming composers such Debussy and Hahn.

The Viennese tradition was inherited by Johannes Brahms and Hugo Wolf, although each embarked on a different path of his own. Brahms’s vocal music conveyed a sense of lyricism and constraint which was reminiscent of Schubert and Schumann. On the other hand, Wolf was more daring in form and harmony, and hence giving the German lied a refreshing new dimension.

Composers from Central and Eastern Europe also adapted and customized the German Lied to serve their expressive purposes. Dvořak’s setting of Czech poetry and the infusion elements of Czech folk music gave his songs a distinctive signature style. While the influence of Russian music was limited in Tchaikovsky’s songs, the coherence was found in the craftsmanship and fine balance between the voice and the piano, as well as between the sung text and the unsung utterances.

English

Age of Sensibility by Various, ig. 01 uzt. 2012, Noiztik (2012/2012), Zuzendaria Lo Kingman,, City Hall, Hong Kong, Hong Kong SAR China

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