Name: Age of Sensibility
Start: 2012-07-01T00:00:00.000Z
End: 2012-07-01T00:00:00.000Z
Location: City Hall

Organization

Sopran

Colette Lam

Kwong Liling

Tenor

Chen Yong

Baryton

Zeng Yuxuan

Reżyseria

Lo Kingman

Pianista

Yu Bida

Wu Shengzhong

Zhao Xiaojing

Fu Jiacong

Musica Viva Singers

Age of Sensibility

Hong Kong

SRA Hongkong (Chiny)

City Hall

Age of Sensibility: Concert Various

Public

Koncert

Approved

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Dyrygent

Libretto

Scenografia

Kostiumy

Choreografia

Reżyseria światła

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzosopran

Singer

Bas - baryton

Kontratenor

Kontralt

Spoken

Głos dziecięcy

Silent

Alto

Continuo

At the turn of the eighteenth century, changes in social and political order over Europe led to a series of aftershocks which gave way to the new ideology of Romanticism. The new spirit which championed individual creativity and expression over exiting form and order were reflected in the arts. In music, the Romantic sensibility was resonated in both extant genres (such as operas, symphonies and chamber music) and new ones (namely, the

programme symphony and art songs). With the large numbers of lieder of Schubert and Schumann, the two proved that the expressive powers of the miniature art song were no less than that of an extended symphony. In fact, out of all the Romantic genres of nineteenth century, it was the art song which managed to transcend geographic and cultural boundaries and became a universal vehicle for expression.

In Paris, while Hector Berlioz remained unchallenged in his imaginative powers and boldness as the iconic Romantic composer, his vocal music exhibited a sense of nuances and subtlety, which were the essential qualities of the Romantic art song. The French melodies continued to thrive in the hands of Gabriel Faure, whose refined and understated style served as a model for upcoming composers such Debussy and Hahn.

The Viennese tradition was inherited by Johannes Brahms and Hugo Wolf, although each embarked on a different path of his own. Brahms’s vocal music conveyed a sense of lyricism and constraint which was reminiscent of Schubert and Schumann. On the other hand, Wolf was more daring in form and harmony, and hence giving the German lied a refreshing new dimension.

Composers from Central and Eastern Europe also adapted and customized the German Lied to serve their expressive purposes. Dvořak’s setting of Czech poetry and the infusion elements of Czech folk music gave his songs a distinctive signature style. While the influence of Russian music was limited in Tchaikovsky’s songs, the coherence was found in the craftsmanship and fine balance between the voice and the piano, as well as between the sung text and the unsung utterances.

English

Age of Sensibility by Various, od (2012/2012), W reżyserii Lo Kingman,, City Hall, Hong Kong, SRA Hongkong (Chiny)

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca