Organization

The Abu Dhabi Festival

Choreograf

Leda Lojodice

Przygotowanie chóru

Andrés Máspero

Reżyseria światła

Vinicio Cheli

Tenor (+1)

Fabián Lara

Posłaniec

Reżyseria

Reżyseria (+4)

Hugo De Ana

Scenografia

Bas (+4)

Deyan Vatchkov

Faraon

Kostiumy

Wideo

Wideo (+2)

Sergio Metalli

Teatro Real de Madrid

Chorus

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

Teatro Real

Dyrygent

Dyrygent (+2)

Nicola Luisotti

Sopran (+1)

Jaquelina Livieri

Kapłanka

Mezzosopran (+5)

Sonia Ganassi

Amneris

Mezzosopran (+2)

Ketevan Kemoklidze

Sopran (+3)

Krassimira Stoyanova

Aida

Daniel Oren

Jamie Barton

Tenor (+4)

Piotr Beczała

Radames

Tenor (+3)

Yusif Eyvazov

Bas (+3)

Alexander Vinogradov

Ramfis

Bas (+2)

Jongmin Park

Bas - baryton (+7)

Carlos Álvarez

Amonasro

Baryton (+2)

Artur Rucinski

Sopran

Roberta Mantegna

Tenor

Jorge de León

Bas - baryton (+3)

Simón Orfila

Gevorg Hakobyan

Sopran (+5)

Anna Netrebko

Marta Bauzà

Maria Agresta

Dyrygent (+1)

Diego García Rodríguez

Vittoria Yeo

Yonghoon Lee

One of the greatest ironies of grand opera – the total spectacle of early Romanticism – is that its legacy has come down to us mainly through foreign surrogates such as Aida, whose Cairo premiere in 1871 was surrounded by all the paraphernalia reserved for the great geopolitical conclaves. Far from giving in to the vulgar trickery characteristic of this genre, this masterpiece and turning point in Verdi's production turned the massive scenes into an integral part of the drama –and not a mere spectacle– and infused its creatures with a fire that reaches solar temperatures in their last act, before melting into a loving embrace of resignation and oblivion.

Any production that claims to live up to this work must overcome no less thorny challenges: that the drama shines above the show and that the passions give off their fiery brilliance without burning in the morbid flames of the feuilleton. Almost a quarter of a century after its premiere in 1998, these are precisely the keys that explain the validity of this historic production by Hugo de Ana in an updated revival to demonstrate once again –forgive the redundancy– its perennial relevance.

włoski

Madryt

Hiszpania

Sala Principal

Aida Verdi

Opera

El Teatro Real recupera una de las producciones más monumentales y emblemáticas de su pasado reciente, #AidaTR, de Giuseppe Verdi, estrenada en 1998 con dire...

Approved

Aida, Verdi

Obsada

Un messaggero

Il Re d'Egitto

Una sacerdotessa

Amneris

Aida

Radamès

Ramfis

Amonasro

Załoga

Reżyseria

Dyrygent

Scenografia

Kostiumy

Przygotowanie chóru

Reżyseria światła

Choreograf

Wideo

Instrumentacja

Producent

Producent

Ensemble

Orkiestra

Chór

Współproducent

Współproducent

Promowane filmy

Zdjęcia

Szczegóły

Kompozytor / -ka

Libretto

Opis

Synopsis produkcji