Name: Aida
Start: 2008-10-26T00:00:00.000Z
End: 2009-02-01T00:00:00.000Z
Location: Musiktheater im Revier

Organization

Baritone

Bjørn Waag

Amonasro

Bass

Dong-Won Seo

The King of Egypt

Mezzo-soprano

Anna Agathonos

Amneris

Soprano

Majken Bjerno

Aida

Tenor

Ricardo Tamura

Radames

Michael Tews

Ramfis

E. Mark Murphy

A messenger

Alfia Kamalova

A high priestess

Conductor

Samuel Bächli

Stage director

Roland Schwab

Costume designer

Renée Listerdal

Set designer

Hans Dieter Schaal

Chorus master

Christian Jeub

Dramaturge

Anna Melcher

Musiktheater im Revier

ítalska

Gelsenkirchen

Germany

Aida Verdi

Public

þýska

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Lighting designer

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Ethiopia and Egypt are at war. The Egyptian general Radamès loves the Ethiopian king's daughter Aida, who is enslaved by his people - and she loves him. But the Egyptian king's daughter Amneris also loves the general - jealous and ruthless. Ironically, by defeating Aida's people, Radamès hopes to be able to demand the freedom of his beloved from his king. In the wheelwork of religious and political intrigues as well as Amneris' desperate lust for revenge, the lovers find themselves hopelessly caught between all fronts. Buried alive, Aida and Radamès, escaping reality, sing of their unquenchable love. In the style of grand opera and bel canto, a psychological chamber play develops in an imaginary Egyptian empire.

English

Aida by Verdi, sun 01 feb 2009, Frá (2008/2009), Leikstýrt af Roland Schwab,, Hljómsveitarstjóri Samuel Bächli, Musiktheater im Revier, Gelsenkirchen, Germany

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