Name: Airs d’opéra
Start: 2022-10-12T00:00:00.000Z
End: 2022-10-14T00:00:00.000Z
Location: Opéra Grand Avignon

Organization

Festival Palazzetto Bru Zane à Paris

Conductor

Débora Waldman

Singer

Mezzo-soprano

Karine Deshayes

Delphine Haidan

Orchestra

Orchestre National Avignon-Provence

Airs d’opéra

Paris

France

Philharmonie de Paris

Avignon

Opéra Grand Avignon

Airs d’opéra: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Tenor

Countertenor

Baritone

Bass

Soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Pour les compositrices, l’accession à la scène a été difficile durant tout le XIXe siècle : Fausto de Louise Bertin (Théâtre-Italien, 1831) et Mazeppa de Clémence de Grandval (Opéra de Bordeaux, 1892) font exception. Afin d’aborder l’art lyrique, Pauline Viardot propose, pour sa part, un opéra de salon (Le Dernier Sorcier, 1867).

français

It will come as no surprise that alongside pages by Rossini, Berlioz and Gluck, Debora Waldman has chosen to let us hear arias composed by Louise Bertin and Pauline Viardot. Trained at the Conservatoire National Supérieur de Musique de Paris and having started her career as Kurt Masur's assistant at the Orchester National de France, this conductor was the first woman to lead a nationally-labelled formation, in 2020. Particularly committed in transmission, she takes a close interest in little-known or even unknown works by female composers. In 2019, she thus created Charlotte Sohy's "Great War" Symphony , of which she had found the score: the story is told in The Forgotten Symphony, a book co-written with journalist Pauline Sommelet. Place this time to two composers of the 19th century: Louise Bertin, who collaborated in particular with Victor Hugo (no less!), and Pauline Viardot, best known as a singer.

English

Airs d’opéra by Various, az. 12 urr. 2022, Noiztik (2022/2022), Zuzendaria Débora Waldman, Opéra Grand Avignon, Avignon, France

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