Name: Akademie für Alte Musik Berlin & Fabio Biondi (Academy For Early Music Berlin & Fabio Biondi)
Start: 2019-11-10T00:00:00.000Z
End: 2019-11-10T00:00:00.000Z
Location: Staatsoper Unter den Linden

Organization

Conductor

Fabio Biondi

Soprano

Raffaella Milanesi

Roberta Invernizzi

Contralto

Sonia Prina

Alto

Tenor

Aaron Sheehan

Álfheiður Erla Guðmundsdóttir

State Opera Berlin

Orchestra

Akademie für Alte Musik Berlin

Iodáilis

Akademie für Alte Musik Berlin & Fabio Biondi (Academy For Early Music Berlin & Fabio Biondi)

Berlin

Germany

Staatsoper Unter den Linden

Public

Private

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Mezzo-soprano

Baritone

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Continuo

Alessandro Scarlattis letztes Oratorium, »La Vergine addolorata«, lehnt sich inhaltlich an die Passionsgeschichte an, aber aus einer besonderen Perspektive: der der Gottesmutter Maria, der Mater dolorosa, die mitansehen muss, wie über ihren Sohn das Todesurteil gesprochen und es schließlich auch vollzogen wird. Wie auch in vielen barocken Vertonungen des »Stabat mater« gelingt Scarlatti eine musikalisch vielfältige Übersetzung von Marias Leidensweg: Das Schwanken zwischen Momenten stiller Trauer, Ausbrüchen voll Schmerz, Aufbegehren, aber auch Trost im Glauben erzeugt eine Dramatik, die den erfahrenen Opernkomponisten Scarlatti verrät – ein selten aufgeführter Höhepunkt seines Schaffens.

Deutsch

The content of Alessandro Scarlatti's last oratorio, »La Vergine addolorata«, is based on the Passion story, but from a special perspective: that of the Mother of God Mary, the Mater dolorosa, who has to watch how the death sentence was pronounced on her son and finally carried out becomes. As in many baroque settings of the "Stabat mater", Scarlatti succeeds in a musically diverse translation of Maria's ordeal: the vacillation between moments of quiet sadness, outbursts of pain, rebellion, but also consolation in faith creates a drama that betrays the experienced opera composer Scarlatti - a rarely performed highlight of his work.

English

Akademie für Alte Musik Berlin & Fabio Biondi (Academy For Early Music Berlin & Fabio Biondi) by Various, Ó (2019/2019), Seoltóir Fabio Biondi, Staatsoper Unter den Linden, Berlin, Germany

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Ensemble

Clár, Eolas & Achoimre

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid