Organization

Tenor (+1)

Aaron Blake

High Priest of Amon

Bas (+3)

Richard Bernstein

Baryton (+5)

Will Liverman

Horemhab

Sopran

Dísella Lárusdóttir

Queen Tye

Mezzosopran (+3)

Rihab Chaieb

Nefertiti

Kontratenor (+6)

Anthony Roth Costanzo

Akhnaten

Choreograf

Sean Gandini

Wideo

Scenografia (+3)

Tom Pye

Reżyseria światła

Bruno Poet

Kostiumy

Scenografia (+1)

Kevin Pollard

Scenografia

Reżyseria

Aktor (+1)

Phelim McDermott

Dyrygent

Dyrygent (+1)

Karen Kamensek

Bas (+8)

Zachary James

Amenhotep

Lindsay Ohse

Beketaten

Sopran (+1)

Katrina Thurman

Meretaten

Mezzosopran (+2)

Chrystal E Williams

Maketaten

Annie Rosen

Ankhesenpaten

Olivia Vote

Neferneferuaten

Suzanne Hendrix

Sotopenre

Przygotowanie chóru

Donald Palumbo

English National Opera

The Metropolitan Opera

Chorus

Metropolitan Opera Choir

Orchestra

Metropolitan Opera Orchestra

Metropolitan Opera House

Philip Glass’s mesmerizing modern masterpiece—a smash-hit in its 2019 company-premiere run—returns in Phelim McDermott’s unforgettable production, which brings ancient Egypt to vivid life with striking stage tableaux and a troupe of jugglers. Countertenor Anthony Roth Costanzo reprises his celebrated turn as the revolutionary pharaoh Akhnaten, with mezzo-soprano Rihab Chaieb as his wife and queen, Nefertiti. Once again at the helm is conductor Karen Kamensek, a noted master of Glass’s music.Akhnaten is one of Philip Glass’s three large-scale operas based on a “big idea,” in this case monotheism, following Einstein on the Beach, which dealt with new notions of time and space, and Satyagraha, which explored the spiritual and political revelation of non-violence. Satyagraha and Akhnaten, especially, deal largely with the unseen forces affecting the inner (psychological), interpersonal (political), and universal (mystical) aspects of existence, subjects that are uniquely portrayed by the composer’s entrancing musical lines.Akhnaten is one of Philip Glass’s three large-scale operas based on a “big idea,” in this case monotheism, following Einstein on the Beach, which dealt with new notions of time and space, and Satyagraha, which explored the spiritual and political revelation of non-violence. Satyagraha and Akhnaten, especially, deal largely with the unseen forces affecting the inner (psychological), interpersonal (political), and universal (mystical) aspects of existence, subjects that are uniquely portrayed by the composer’s entrancing musical lines.The score of this opera is lyrical, elegiac, and, while clearly a product of its famous composer (whose intricate, repetitive sonic textures unfold differently than most other classical music), is among the most easily appreciated of his creation. The vocal lines also tend toward the melodic, even if they are original and remarkable. The enigmatic title role is sung by a countertenor, and the chorus also has an important role throughout, appearing as priests in the beginning, people of Egypt throughout, and the spirits of the departed at the end.

Nowy Jork

Stany Zjednoczone

Akhnaten Glass

Opera

angielski

hiszpański

niemiecki

Audio and video recordings of the Met’s breathtaking 2019 production of Philip Glass’s Akhnaten—starring countertenor Anthony Roth Costanzo in the title...

Philip Glass’s Akhnaten

Approved

Akhnaten, Glass

Obsada

High Priest of Amon

Aye

Horemhab

Queen Tye

Nefertiti

Akhnaten

Amenhotep

Beketaten

Meretaten

Maketaten

Ankhesenpaten

Neferneferuaten

Sotopenre

Załoga

Reżyseria

Dyrygent

Scenografia

Kostiumy

Przygotowanie chóru

Reżyseria światła

Choreograf

Wideo

Instrumentacja

Producent

Producent

Ensemble

Orkiestra

Chór

Współproducent

Współproducent

Recenzje 3

Promowane filmy

Zdjęcia

Szczegóły

Kompozytor / -ka

Opis

Synopsis produkcji

Miejsca

Metropolitan Opera House

Nowy Jork, Stany Zjednoczone