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Anna Bolena (Ana Bolena), Donizetti
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Ana Bolena by Donizetti, De (2019/2019), Dirigido por Stefano Mazzonis di Pralafera, Director Giampaolo Bisanti, Théâtre Royal de Liège, Lieja, Bélgica

Elenco

  • Anna Bolena

    (Ana Bolena)

    Olga Peretyatko

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

    Elaine Alvarez

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

  • Enrico VIII

    Marko Mimica

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

  • Riccardo Percy

    (Lord Richard Percy)

    Celso Albelo

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

  • Giovanna Seymour

    SS

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

  • Smeton

    Francesca Ascioti

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

  • Lord Rochefort

    LM

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

  • Sir Hervey

    (Hervey)

    Maxime Melnik

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

Equipo

  • Dirección coral

    PI

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

  • Escenografía

    Gary McCann

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

  • Diseño de vestuario

    FR

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

  • Iluminación

    FM

    (2019 abr 09, 11, 14, 17, 20, 2022 26, 29; may 01, 02, 04, 11, 19, 27; jun 04)

Ensamble

In 1536 at Windsor Castle, King Henry VIII is in love with the young Jane Seymour, a lady in waiting to the Queen, Anne Boleyn. To ensure himself a free rein, the king decides to bring back from exile the former lover of his wife, Lord Percy, who is still in love with her. Unjustly accused of adultery, they are condemned to death and shut away in the Tower of London. Bel Canto Composed in 1830 in less than one month, Anna Bolena was the 29th opera by Donizetti. The action based on historical facts provides a tragic framework and sublime expression of Romanticism. The composer subtly combines bel canto style full of moving melodies with the most acrobatic of vocal prowess, without ever losing his characters’ authenticity. While the role of Percy was destined for the tenor Rubini, the title role was written for the great Pasta, who was first to perform Bellini’s Norma. It is frightfully technically and psychologically difficult, requires an outstanding voice and features among the most beautiful feminine portrayals in history. Maria Callas made it one of her preferred roles by rescuing it from oblivion in 1957. Anna Bolena brought Donizetti international renown. In a letter to his wife, it is easy to see just how moved he was by such acclaim: “Everyone is saying that they cannot remember having seen such a dazzling triumph. I was so happy that I felt like crying”. Absent from our stage since 1982, this new production is being made in collaboration with Oman, Lausanne and Bilbao.
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