Organization

Dirección orquestal

Dirección orquestal (+1)

Donald Runnicles

Dirección de escena

Tobias Kratzer

Escenografía

Escenografía (+1)

Rainer Sellmaier

Diseño de vestuario

Iluminación

Stefan Woinke

Video

Jonas Dahl

Dirección de escena (+1)

Manuel Braun

Dirección coral

Dirección orquestal (+2)

Jeremy Bines

Dramaturgo

Dramaturgo (+3)

Bettina Bartz

Bajo (+3)

Albert Pesendorfer

Conde Waldner

Mezzosoprano (+3)

Doris Soffel

Adelaide

Soprano (+1)

Elena Tsallagova

Zdenka

Barítono (+5)

Russell Braun

Mandryka

Tenor (+2)

Robert Watson

Matteo

Tenor (+5)

Thomas Blondelle

Conde Elemer

Soprano (+4)

Lexi Hutton

La tiradora de cartas

Barítono (+3)

Kyle Miller

Conde Dominik

Soprano (+2)

Hye-Young Moon

El Fiakermilli

Coreografía

Coreografía (+2)

Jeroen Verbruggen

Tyler Zimmerman

Conde Lamoral

Jörg Schörner

Welko

Hablado

Michael Jamak

Djura

Tenor (+1)

Robert Hebenstreit

Jankel

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Chorus

Choir of the Deutsche Oper Berlin

Gabriela Scherer

Arabella

Heiner Boßmeyer

Un camarero de hotel

Tenor (+3)

Thaisen Rusch

Soprano

Sara Jakubiak

At first glance, Hofmannsthal's libretto ARABELLA is a comedy of mistaken identity which, had it been composed by Rossini, could have been a snappy buffo opera. But the music of Richard Strauss, who pulls out all the stops of his orchestral art, from the late romantic intoxication to the most modern discord, creates a subtle, colorful panorama of a society in transition, whose late-bourgeois values ​​are crumbling. One's own identity and interpersonal relationships have to be tested from scratch. Central is – even more than the title character, who oscillates between romance and rebellion – Arabella's younger sister Zdenka, who, disguised as a man by her parents for lack of money for girls' clothes befitting their status, has to struggle all the more desperately with her/his role as an outsider.

For the director Tobias scratches and his team, the ambivalences of the characters up to the last quirky supporting character are a welcome source of inspiration to think about historical role models and modern identity. The detailed staging, in which the real plot is repeatedly contrasted, supplemented and commented on with cinematic virtuality, should give the viewer the opportunity to experience the musical richness with an often surprising change of perspective between private emotional chaos and social norms. With ARABELLA, Tobias Kratzer continues the collaboration with Sir Donald Runnicles, which began in 2019 with the acclaimed production of Zemlinsky's DER ZWERG.

Arabella, Strauss

Elenco

Graf Waldner

Adelaide

Zdenka

Mandryka

Matteo

Graf Elemer

Eine Kartenaufschlägerin

Graf Dominik

Die Fiakermilli

Graf Lamoral

Welko

Djura

Jankel

Arabella

Ein Zimmerkellner

Equipo

Dirección de escena

Dirección orquestal

Escenografía

Diseño de vestuario

Dirección coral

Iluminación

Coreografía

Dramaturgo

Video

Instrumentación

Productor

Productor

Ensamble

Orquesta

Coro

Coproductor

Fotografías

Sobre

Compositor

Libreto

Descripción

Sinopsis de Producción