Organization

Dyrygent

Dyrygent (+1)

Donald Runnicles

Reżyseria

Tobias Kratzer

Scenografia

Scenografia (+1)

Rainer Sellmaier

Kostiumy

Reżyseria światła

Stefan Woinke

Wideo

Jonas Dahl

Reżyseria (+1)

Manuel Braun

Przygotowanie chóru

Dyrygent (+2)

Jeremy Bines

Dramaturgia

Dramaturgia (+3)

Bettina Bartz

Bas (+3)

Albert Pesendorfer

Graf Waldner

Mezzosopran (+3)

Doris Soffel

Adelaide

Sopran (+1)

Elena Tsallagova

Zdenka

Baryton (+5)

Russell Braun

Mandryka

Tenor (+2)

Robert Watson

Matteo

Tenor (+5)

Thomas Blondelle

Graf Elemer

Sopran (+4)

Lexi Hutton

Eine Kartenaufschlägerin

Baryton (+3)

Kyle Miller

Graf Dominik

Sopran (+2)

Hye-Young Moon

Die Fiakermilli

Choreograf

Choreograf (+2)

Jeroen Verbruggen

Tyler Zimmerman

Graf Lamoral

Jörg Schörner

Welko

Mówiony

Michael Jamak

Djura

Tenor (+1)

Robert Hebenstreit

Jankel

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Chorus

Choir of the Deutsche Oper Berlin

Gabriela Scherer

Arabella

Heiner Boßmeyer

Ein Zimmerkellner

Tenor (+3)

Thaisen Rusch

Sopran

Sara Jakubiak

At first glance, Hofmannsthal's libretto ARABELLA is a comedy of mistaken identity which, had it been composed by Rossini, could have been a snappy buffo opera. But the music of Richard Strauss, who pulls out all the stops of his orchestral art, from the late romantic intoxication to the most modern discord, creates a subtle, colorful panorama of a society in transition, whose late-bourgeois values ​​are crumbling. One's own identity and interpersonal relationships have to be tested from scratch. Central is – even more than the title character, who oscillates between romance and rebellion – Arabella's younger sister Zdenka, who, disguised as a man by her parents for lack of money for girls' clothes befitting their status, has to struggle all the more desperately with her/his role as an outsider.

For the director Tobias scratches and his team, the ambivalences of the characters up to the last quirky supporting character are a welcome source of inspiration to think about historical role models and modern identity. The detailed staging, in which the real plot is repeatedly contrasted, supplemented and commented on with cinematic virtuality, should give the viewer the opportunity to experience the musical richness with an often surprising change of perspective between private emotional chaos and social norms. With ARABELLA, Tobias Kratzer continues the collaboration with Sir Donald Runnicles, which began in 2019 with the acclaimed production of Zemlinsky's DER ZWERG.

Arabella, Strauss

Obsada

Graf Waldner

Adelaide

Zdenka

Mandryka

Matteo

Graf Elemer

Eine Kartenaufschlägerin

Graf Dominik

Die Fiakermilli

Graf Lamoral

Welko

Djura

Jankel

Arabella

Ein Zimmerkellner

Załoga

Reżyseria

Dyrygent

Scenografia

Kostiumy

Przygotowanie chóru

Reżyseria światła

Choreograf

Dramaturgia

Wideo

Instrumentacja

Producent

Producent

Ensemble

Orkiestra

Chór

Współproducent

Zdjęcia

Szczegóły

Kompozytor / -ka

Libretto

Opis

Synopsis produkcji