Name: Ariane et Barbe-bleue ,Dukas
Start: 2021-03-13T00:00:00.000Z
End: 2021-03-27T00:00:00.000Z
Location: Opéra Nouvel de Lyon

Organization

Festival d'Aix en Provence

Singer

Contralto

Anaïk Morel

La Nourrice

Soprano

Katarina Karnéus

Ariane

Lighting designer

Urs Schönebaum

Alexandra Deshorties

Enkelejda Shkosa

Bass

Tomislav Lavoie

Barbe-Bleue

Adèle Charvet

Sélysette

Amandine Ammirati

Bellangère

Margot Genet

Ygraine

Hélène Carpentier

Mélisande

Stage director

Alex Ollé

La Fura dels Baus

Conductor

Lothar Koenigs

Marco Filibeck

Costume designer

Josep Abril

Set designer

Alfons Flores

Dramaturge

Olaf A Schmitt

Teatro Real de Madrid

Opéra de Lyon

Others

Lyon Opera Choirs

Chœurs et Studio de l'Opéra de Lyon

Orchestra

Lyon Opera Orchestra

francouzština

Ariane et Barbe-bleue ,Dukas

Lyon

France

Opéra Nouvel de Lyon

Grande Salle

Ariane (Ariadne) is a curious and independent young woman, and the newly married sixth wife of the infamous Bluebeard. Soon after arriving at his castle, she discovers her husband’s five former wives locked in a room. Naturally, she decides to free them—yet they seem unwilling to renounce captivity...

Paul Dukas's Ariane et Barbe-Bleue , performed here as part of  Lyon’s "Femmes libres?" ("Free women?") Festival, features a libretto inspired by Charles Perrault’s famous tale and its stage adaptation by Maurice Maeterlinck. Stage director Àlex Ollé chose to stage this highly nuanced work in spite of and because of its contradictions and dualities: folktale and nightmare, reality and idealism. This opposition also plays out in the work’s symbolism: "Ariane is a free woman," says Ollé, "who wants both to proclaim her own freedom and to share it with other women. But the other women in the play come to symbolize submission and the renunciation of individual freedom." The action unfolds in two parallel planes, one real (Ariane and Bluebeard’s wedding) and the other fantastic (the protagonist’s subconscious).

The finished product is a bracingly contemporary work that calls our perceptions of liberty into question, with Alfons Flores’s captivating scenography magnified by the stunning talent of mezzo-soprano Katarina Karnéus.

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