Name: Aufstieg und Fall der Stadt Mahagonny
Start: 2017-11-05T00:00:00.000Z
End: 2017-11-24T00:00:00.000Z
Location: Opernhaus

Admin

Organization

Singer

Mezzo-soprano

Karita Mattila

Leokadja Begbick

Tenor

Michael Laurenz

Fatty der Prokurist

Baritone

Christopher Purves

Trinity Moses

Soprano

Annette Dasch

Jenny

Christopher Ventris

Jimmy Mahoney

Iain Milne

Jack

Paul Curievici

Cheyne Davidson

Bill

Bass

Ruben Drole

Jonathan Abernethy

Toby Higgins

Conductor

Fabio Luisi

Stage director

Sebastian Baumgarten

Set designer

Barbara Ehnes

Costume designer

Joki Tewes

Jana Findeklee

Video designer

Chris Kondek

Lighting designer

Elfried Roller

Chorus master

Janko Kastelic

Dramaturge

Claus Spahn

Choreographer

Kinsun Chan

Opernhaus Zürich

Others

Chor der Oper Zürich

Orchestra

Philharmonia Zürich

독일어

Aufstieg und Fall der Stadt Mahagonny -  (Rise and Fall of the City of Mahagonny)

Zurich

Switzerland

Opernhaus

Aufstieg und Fall der Stadt Mahagonny Weill

Public

Rise and Fall of the City of Mahagonny

영어

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Aufstieg und Fall der Stadt MahagonnyKurt Weill (1900-1950), Bertolt Brecht (1898-1956)Oper in drei AktenMusikalische Leitung Fabio Luisi Inszenierung Sebast...

Trailer - Rise and Fall of the City of Mahagonny - Zurich Opera House

Anyone who doesn't have fun in Mahagonny cannot be helped. Because in the paradise city, which is being built in the opera by Bertolt Brecht and Kurt Weill, everything is allowed. Enjoyment without limits, intoxication to excess. Eating, boxing, drinking, making love - anything goes. Only one thing is strictly forbidden: In the end, not being able to pay. Our new production is staged by the Brecht-experienced director Sebastian Baumgarten, who had a great artistic success two years ago at the Zurich Opera House with Wolfgang Rihm's "Hamlet Machine". In our video we show impressions from the rehearsal work from the very first stage rehearsal. "The rise and fall of the city of Mahagonny" will premiere on 5 Nov 2017. All further information & tickets: www.opernhaus.ch/mahagonny SHOW LESS

Rehearsal impressions “Rise and Fall of the City of Mahagonny” - Zurich Opera House

Aufstieg und Fall der Stadt Mahagonny
Wer in Mahagonny keinen Spass hat, dem ist nicht zu helfen. Denn in der Paradiesstadt, die in der Oper von Bertolt Brecht und Kurt Weill errichtet wird, ist alles erlaubt. Genuss ohne Grenzen, Rausch bis zum Exzess. Fressen, Boxen, Saufen, Liebe machen – alles geht. Nur eines ist streng verboten: Am Ende nicht zahlen zu können. Diese Erfahrung macht der Glückssucher Paul Ackermann und kommt dafür auf den elektrischen Stuhl. Die Mahagonny-Oper von Brecht/Weill ist ein grossformatiger Bilderreigen aus der Werkstatt des epischen Musik-Theaters: anarchisch rumorend und gesellschaftskritisch ätzend. Kurt Weills scheinbar simple, aber immer doppelbödige Musik etabliert zwischen eingängigen Songs, hohem Opernton, Shimmy- und Foxtrott­ Adaptionen und Choralpersiflagen einen schrägen Schwung beim Tanz über dem Abgrund. Die Oper sei kulinarisch, schrieb Brecht, aber sie stelle das Kulinarische auch zur Diskussion. Sie greife die Gesellschaft an, die solche Opern benötige. Sie ist Oper und Anti-Oper zugleich und endet mit dem Untergang des «Du darfst»-Paradieses: Es erstickt an sich selbst. Seit der Uraufführung im Jahr 1930, die zu einem der grössten Skandale der Operngeschichte geriet, hat Mahagonny nichts von seiner Aktualität eingebüsst.Die Gesetze der menschlichen Glückseligkeit, die Paul Ackermann im Moment einer grossen Krise findet, lesen sich heute wie ein Hohelied auf den Turbokapitalismus des 21. Jahrhundert: «Nimm dir das Geld, du darfst es!»

Unsere Neuproduktion wird vom Brecht-erfahrenen Regisseur Sebastian Baumgarten in Szene gesetzt, der vor zwei Jahren am Opernhaus Zürich mit Wolfgang Rihms Hamletmaschine einen grossen künstlerischen Erfolg verzeichnete. Kann es für die schillernde Charakterrolle der Witwe Begbick eine attraktivere Besetzung geben als den Sopranstar Karita Mattila? Die finnische Grande Dame singt zum ersten Mal in einer Opernproduktion am Opernhaus Zürich und debütiert in der Partie der resoluten Stadtgründerin und Puffmutter. Die grossartige deutsche Sopranistin Annette Dasch gibt ihr Rollendebüt als Hure Jenny. Fabio Luisi dirigiert eines seiner Wunschstücke.

Deutsch

The Rise and Fall of the City of Mahagonny
If you don't have fun in Mahagonny, you can't be helped. Because in the paradise city that is built in the opera by Bertolt Brecht and Kurt Weill, everything is allowed. Enjoyment without limits, intoxication to the point of excess. Eating, boxing, drinking, making love - anything goes. Only one thing is strictly forbidden: not being able to pay at the end. Happiness seeker Paul Ackermann experiences this and is put on the electric chair for it. The mahogany-Opera by Brecht/Weill is a large-format series of images from the workshop of epic music theatre: anarchically rumbling and socially critically corrosive. Kurt Weill's apparently simple, but always ambiguous music establishes an offbeat swing in the dance over the abyss between catchy songs, a high operatic sound, shimmy and foxtrot adaptations and choral persiflage. The opera is culinary, Brecht wrote, but it also puts the culinary up for discussion. She attacks the society that needs such operas. It is opera and anti-opera at the same time and ends with the downfall of the "you may" paradise: it suffocates in itself. Since the premiere in 1930, which turned into one of the biggest scandals in opera history, Mahagonnylost none of its topicality. The laws of human happiness, which Paul Ackermann finds at the moment of a major crisis, read today like a hymn to the turbo capitalism of the 21st century: "Take the money, you can have it!"

Our new production is staged by the Brecht-experienced director Sebastian Baumgarten, who had great artistic success two years ago at the Zurich Opera House with Wolfgang Rihm's Hamletmaschine . Can there be a more attractive cast for the dazzling character role of Widow Begbick than soprano star Karita Mattila? The Finnish grande dame sings for the first time in an opera production at the Zurich Opera House and makes her debut in the role of the resolute city founder and madam. The great German soprano Annette Dasch makes her role debut as whore Jenny. Fabio Luisi conducts one of his dream pieces.

English

Rise and Fall of the City of Mahagonny by Weill, 일 12 11월 2017, 에서 (2017/2017), 감독 Sebastian Baumgarten,, 지휘자 Fabio Luisi, Opernhaus, Zurich, Switzerland

성과 크레딧 (캐스트 & 크루 )

깁스

승무원

프로그램, 소개 및 시놉시스

비디오

사진

추가 자료

공연 날짜 및 장소

장소