Name: AventuresNouvelles Aventures
Start: 2016-06-27T00:00:00.000Z
End: 2016-06-27T00:00:00.000Z
Location: Hlubina Coal Mine

Artist

Admin

Cantor

Soprano

Lydia Brotherton

Maestro

Petr Kotík

Diretor de Palco

Katharina Schmitt

Cenógrafo

Pavel Svoboda

Designer de Iluminação

Zuzana Režná

Designer de Vídeo

Baixo

Markus Hollop

Basse

Mezzo-soprano

Lena Haselmann

Mezzo

Orchestra

Ostravská banda

Ostrava Center for New Music

Aventures/Nouvelles Aventures

Ostrava

Tchéquia

Hlubina Coal Mine

Aventures/Nouvelles Aventures: Aventures, nouvelles aventures Ligeti

Public

Aventuras e novas aventuras

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Som

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contratenor

Contralto

Barítono

Baixo-barítono

Tenor

Alto

Continuo

Silent

Spoken

Vocalista Infantil

In my vocal or vocal-instrumental compositions Aventures and Nouvelles Aventures, I have used an artificial language. Such a made-up language serves as a kind of wrapping that contains real language at its core. All human affects, turned into rituals by conventional social behavior such as agreement or disagreement, dominance or submission, honesty or deceit, arrogance, disobedience, even the merest hints of irony hiding behind apparent consent or, indeed, admiration hiding behind apparent contempt – all of that, and more, can be precisely expressed in an asemantic, emotional artificial language. The “text,” given in phonetic alphabet, had not been there before the music; rather, both took form at the same time, meaning that the text itself is music, a composition made purely of speech sounds. This “speech sound composition” is based on imagined relationships between different modes of affective behavior, not on an abstract blueprint. Technically speaking, there is a phonetic system of grouped speech sounds and their changes that play a role when the piece is performed, but these are primarily chosen according to their capacity to evoke emotions in a form that is akin to speech. The composition, therefore, does not “set text to music” in the conventional sense. Rather, it can be said that music mediates the text and vice versa. Music does not provide “accompaniment” to the vocal element. The instrumental parts are written so as to flesh out or underline the speech sounds: we see phonetic composition affecting the very realm of instrumental music. This heightened emotionality, along with the body language and facial expressions that stem from it, can steer, despite its pure musicality, close to imaginary stage action as defined through affect rather than content. Listening, we experience an “opera” of sorts, with adventurous episodes undergone by imaginary characters on an imaginary stage. That is to say that our experience is opposite to our previous experience of opera: the stage and protagonists are evoked by music in the first place. This is not a score created for an opera; the “opera” takes place inside the music itself.
- György Ligeti

English

Aventures/Nouvelles Aventures by Ligeti, seg 27 jun 2016, De (2016/2016), Dirigido por Katharina Schmitt,, Regente Petr Kotík, Hlubina Coal Mine, Ostrava, Tchéquia

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Programa, Sobre & Sinopse

Avaliações

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos