Name: Bach and his own plagiarism
Start: 2022-10-01T00:00:00.000Z
End: 2022-10-01T00:00:00.000Z
Location: Wigmore Hall

Organization

Przygotowanie chóru

Harry Christophers

Others

The Sixteen

Wigmore Hall

Bach and his own plagiarism

Londyn

Wielka Brytania

Bach and his own plagiarism: Dazu ist erschienen der Sohn Gottes BWV40 Bach,JS (+3 More)

Public

Dazu ist erschienen der Sohn Gottes, BWV 40

Mass in G Minor, BWV 235

Alles nur nach Gottes Willen, BWV 72

Mass in F Major, BWV 233

Approved

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Dyrygent

Reżyseria

Libretto

Scenografia

Kostiumy

Choreografia

Reżyseria światła

Taniec

Aktor

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzosopran

Singer

Sopran

Kontralt

Kontratenor

Baryton

Bas - baryton

Tenor

Spoken

Głos dziecięcy

Silent

Alto

Continuo

The Sixteen
Harry Christophers director
Throughout musical history composers have borrowed from their own earlier works, and Bach was no exception. The Sixteen’s programme includes two notable examples: the opening chorus of Cantata No. 40 (Christmas 1723) was recycled as the final ‘Cum sancto spiritu’ of his Mass in G minor (1738), while Cantata No. 72 (Epiphany 1726) supplied the opening chorus of the Mass in F, written for the Dresden Court in 1733.

English

Bach and his own plagiarism by Bach, J. S., od (2022/2022), Wigmore Hall, Londyn, Wielka Brytania

Udział w spektaklu (Obsada & realizacja )

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Ensemble

Program, informacje i streszczenie

Zdjęcia

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