Name: Bach And His Own Plagiarism The Sixteen; Harry Christophers Director
Start: 2024-02-11T00:00:00.000Z
End: 2024-02-11T00:00:00.000Z
Location: Wigmore Hall

Organization

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Wigmore Hall

Conductor

Harry Christophers

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The Sixteen

The Sixteen Orchestra

Bach And His Own Plagiarism The Sixteen; Harry Christophers Director

London

United Kingdom

Bach And His Own Plagiarism The Sixteen; Harry Christophers Director: Halt im Gedächtnis Jesum Christ, BWV 67 Bach, J. S. (+3 More)

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Private

Halt im Gedächtnis Jesum Christ, BWV 67

Missa brevis in A Major, BWV 234

Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179

Mass in G Major BWV 236

Approved

Overview
Like many other great composers, Bach borrowed from his own earlier works. The Sixteen’s programme includes specific examples: movements from Cantatas No. 67 (written for the Sunday after Easter 1724) and 179 (1723) were recycled as the Gloria and the Quoniam of his Mass in A (1738-9); while the latter cantata also supplied material for the Kyrie and Quoniam of the G major Mass from the same series.

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