Name: Baroque rivalries
Start: 2015-01-20T00:00:00.000Z
End: 2015-01-20T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Soprano

Simone Kermes

Mezzo-soprano

Vivica Genaux

Conductor

Andrés Gabetta

MusikTheater an der Wien

Orchestra

Capella Gabetta

Baroque rivalries

Vienna

Austria

Theater an der Wien

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Bass

Contralto

Baritone

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Arguing "prima donnas" can only be found today in the soap operas of private television companies that vie for the prize of the jungle queen. Older opera-goers, on the other hand, can still remember how the two prima donnas Maria Callas and Renata Tebaldi addressed so many nuances in the media in their heyday.
Probably the most famous rival prima donnas in music history are undoubtedly the feuding Handel stars Faustina Bordoni and Francesca Cuzzoni. You on June 6, 1727 at a performance of Bononcini's opera AstianatteA controversy carried out on the open stage, which - spurred on by the London audience - degenerated into savage insults and physical abuse, has gone down in the annals of opera history. In memory of these two great prima donnas of the first half of the 18th century, Simone Kermes and Vivicagenau, in all friendship with Baroque Rivalries, put together a wild baroque evening full of rarities and discoveries from the repertoire of the Bordoni and the Cuzzoni, in which, in addition to compositions by Georg Friedrich Händel and Johann Adolf Hasse, many arias and duets by composers who are almost forgotten today, such as Antonio Lotti, Giovanni Porta or Giuseppe Arena, can be brought to life again for the first time.

English

Baroque rivalries by Various, -tól (2015/2015), Karmester Andrés Gabetta, Theater an der Wien, Vienna, Austria

Előadás kreditek (Szereplők & Stáb )

Öntvény

Együttes

Program, névjegy és szinopszis

További irodalom

Az előadások időpontjai és helyszínei

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