Name: Bavière Mariss Jansons
Start: 2019-03-23T00:00:00.000Z
End: 2019-03-23T00:00:00.000Z
Location: Philharmonie de Paris

Admin

Cité de la Musique-Philharmonie

Orchestra

Symphonieorchester des Bayerischen Rundfunks

Conductor

Mariss Jansons

Instrumentalist

Organist

Iveta Apkalna

Organ Solo

Productions internationales Albert Sarfati

Bavière / Mariss Jansons

Paris

France

Philharmonie de Paris

Grande Salle Pierre Boulez

Public

Private

Le Carnaval Romain

Concerto pour orgue, cordes et timbales, FP 93

The Rite of Spring

Arshiya Banu

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Singer

Contralto

Mezzo-soprano

Baritone

Bass

Countertenor

Tenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Bavière / Mariss Jansons: Le Carnaval Romain Op. 9 H 95 Berlioz (+2 More)

The towering Mariss Jansons, one of the most beloved conductors working today, leads an elite orchestra. His interpretation of Berlioz, Poulenc, and Stravinsky’s earthly Sacre du printemps (The Rite of Spring) are likely to go down in history.

English

L’immense Mariss Jansons, un des chefs vivants les plus admirés, à la tête d’un orchestre d’élite. Son interprétation de Berlioz, Poulenc et du tellurique Sacre du printemps promet de faire date.

Le Carnaval romain fut envisagé par Berlioz comme seconde ouverture de son opéra Benvenuto Cellini, dont il reprend plusieurs épisodes. Son orchestration brillante assura son succès lors de sa création : il dut être bissé. Page des plus attachantes, le Concerto pour orgue de Poulenc fait descendre l’« empereur » des instruments de son piédestal et nous le rend proche. La verve de cette œuvre, créée en 1939, le dispute à la grandeur et, parfois, à un certain ton de gravité. Enfin, retentissent les jeux barbares du Sacre du printemps de Stravinski, ses invocation hypnotiques, ses rites ancestraux, sa furie, son éclat impitoyable. L’interprétation de Mariss Jansons, à la tête d’un orchestre particulièrement réputé, est très attendue.

français

Bavière / Mariss Jansons by Berlioz, Poulenc, Stravinsky, lau 23 mar 2019, Frá (2019/2019), Hljómsveitarstjóri Mariss Jansons, Philharmonie de Paris, Paris, France

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Ljósmyndir

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