Name: Beethoven & Cherubini
Start: 2023-05-08T00:00:00.000Z
End: 2023-05-11T00:00:00.000Z
Location: Theater Freiburg

Organization

Chorus master

Frank Markowitsch

Conductor

Thomas Hengelbrock

Balthasar Neumann Choir and Ensemble

Others

Orchestra

Balthasar Neumann Ensemble

Beethoven & Cherubini

Hamburg

Germany

Laeiszhalle

Großer Saal

Berlin

Berliner Philharmonie

Stuttgart

Kultur- und Kongresszentrum - Liederhalle

Freiburg

Theater Freiburg

Kleines Haus

Beethoven & Cherubini: Concert Various

Public

Symphony No. 3

Requiem

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Tenor

Contralto

Mezzo-soprano

Bass

Countertenor

Soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Revolutionäre Botschafter – In Europa herrschten zu Beginn des 19. Jahrhunderts ständige Revolutionskriege und Neuordnungsversuche vor, was sich auch kulturell widerspiegelte: Politisch denkende Künstler wie Ludwig van Beethoven schufen ihre Werke, um Botschaften zu senden. Beethovens Verehrung galt dem revoltierenden Napoleon, weswegen er seiner 1802/1803 komponierten 3. Symphonie ursprünglich den Titel „Buonaparte“ verlieh. Bitter enttäuscht jedoch, dass Napoleon sich 1804 selbst zum Kaiser krönte, nahm Beethoven die Widmung zurück und notierte stattdessen schlicht: „Sinfonia Eroica“ – „Heroische Symphonie“.

Länger währte Beethovens Bewunderung für Luigi Cherubini, von dessen Kompositionen er sich „entzückt“ zeigte: „Ich nehme größeren Anteil daran als an meinen eigenen. Kurz, ich ehre und liebe Sie“, schrieb er dem Italiener in Paris. Vor allem für Cherubinis spektakuläres Requiem c-Moll war Beethoven voll des Lobes und erbat sich eine Aufführung für seine eigene Beerdigung. Wie Beethovens „Eroica“ steht es im revolutionären Kontext, wenn auch aus entgegengesetzter Richtung: 1816 war es im Gedenken an die Enthauptung König Ludwig XVI. durch Revolutionäre in Auftrag gegeben worden. Dass der erzrevolutionäre Beethoven gut zehn Jahre später mit diesem Werk ebenfalls geehrt wurde, wirkt wie eine ironische Anekdote der Geschichtsschreibung.

Deutsch

Revolutionary ambassadors – At the beginning of the 19th century, constant revolutionary wars and attempts at reorganization prevailed in Europe, which was also reflected culturally: Politically minded artists such as Ludwig van Beethoven created their works to send messages. Beethoven's admiration was for the revolting Napoleon, which is why he originally gave the title "Buonaparte" to his 3rd symphony, composed in 1802/1803. However, bitterly disappointed that Napoleon crowned himself Emperor in 1804, Beethoven took back the dedication and instead simply wrote: "Sinfonia Eroica" - "Heroic Symphony".

Beethoven's admiration for Luigi Cherubini lasted longer, and he was "enchanted" by his compositions: "I take a greater interest in them than in my own. In short, I honor and love you,” he wrote to the Italian in Paris. Beethoven was particularly full of praise for Cherubini's spectacular Requiem in C minor and requested a performance for his own funeral. Like Beethoven's "Eroica" it stands in a revolutionary context, albeit from the opposite direction: in 1816 it was written to commemorate the beheading of King Louis XVI. commissioned by revolutionaries. The fact that the arch-revolutionary Beethoven was also honored with this work a good ten years later seems like an ironic anecdote from historiography.

English

Beethoven & Cherubini by Beethoven, Cherubini, K 10 mai 2023, Alates (2023/2023), Dirigent Thomas Hengelbrock, Theater Freiburg, Freiburg, Germany

Etenduse krediiti (Näitlejad ja meeskond )

Meeskond

Ansambel

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad