Admin

Semperoper Dresden

Soprano (+1)

Tuuli Takala

Teresa

Chorus

Saxon State Opera Choir Dresden

Dirección de escena

Dirección de escena (+6)

Barbora Horáková

Escenografía

Escenografía (+1)

Aída-Leonor Guardia Beier

Diseño de vestuario

Eva Butzkies

Iluminación

Stefan Bolliger

Dirección coral

Jonathan Becker

Dramaturgo

Benedikt Stampfli

Tenor

Anton Rositskiy

Benvenuto Cellini

Bajo (+2)

Ante Jerkunica

Balducci

Barítono (+3)

Jérôme Boutillier

Fieramosca

Bajo (+3)

Tilmann Rönnebeck

Le Pape Clément VII

Tenor (+3)

Aaron Pegram

Francesco

Bajobarítono (+4)

Vladyslav Buialskyi

Bernardino

Barítono (+5)

Matthias Henneberg

Pompeo

Mezzosoprano (+3)

Stepanka Pucalkova

Ascanio

Tenor (+2)

Jürgen Müller

An innkeeper

Barítono (+2)

Anton Beliaev

An Officer

Orchestra

Staatskapelle Dresden

Video

Sergio Verde

Coreografía

Juanjo Arqués

Semperoper

Dirección orquestal

Dirección orquestal (+1)

Oscar Jockel

Giampaolo Bisanti

In his early opera »Benvenuto Cellini«, which premiered in Paris in 1838, Hector Berlioz (1803-1869) produced an astonishing work of art centred around one of the most important artists of the 16th century. Although the opera sketches only three days in the colourful life of the Florentine sculptor, namely between Shrove Monday and Ash Wednesday in 1532, they are tumultuous enough: After several hours in the hustle and bustle of carnival celebrations in Rome, during which Cellini fatally stabs an enemy, the artist nevertheless enjoys sweet victory at the story’s end.

Hector Berlioz was known for his phenomenally differentiated use of the orchestra and its instruments. His many admirers included Richard Wagner. The richly varied score ranges from large-scale tableaux with rousing choral passages to uniquely orchestrated chamber scenes. In this way, Berlioz creates an unparalleled musical depiction of revelry at carnival time.

Fotografías