Admin

Semperoper Dresden

Sopran (+1)

Tuuli Takala

Teresa

Chorus

Saxon State Opera Choir Dresden

Reżyseria

Reżyseria (+6)

Barbora Horáková

Scenografia

Scenografia (+1)

Aída-Leonor Guardia Beier

Kostiumy

Eva Butzkies

Reżyseria światła

Stefan Bolliger

Przygotowanie chóru

Jonathan Becker

Dramaturgia

Benedikt Stampfli

Tenor

Anton Rositskiy

Benvenuto Cellini

Bas (+2)

Ante Jerkunica

Balducci

Baryton (+3)

Jérôme Boutillier

Fieramosca

Bas (+3)

Tilmann Rönnebeck

Le Pape Clément VII

Tenor (+3)

Aaron Pegram

Francesco

Bas - baryton (+4)

Vladyslav Buialskyi

Bernardino

Baryton (+5)

Matthias Henneberg

Pompeo

Mezzosopran (+3)

Stepanka Pucalkova

Ascanio

Tenor (+2)

Jürgen Müller

An innkeeper

Baryton (+2)

Anton Beliaev

An Officer

Orchestra

Staatskapelle Dresden

Wideo

Sergio Verde

Choreograf

Juanjo Arqués

Semperoper

Dyrygent

Dyrygent (+1)

Oscar Jockel

Giampaolo Bisanti

In his early opera »Benvenuto Cellini«, which premiered in Paris in 1838, Hector Berlioz (1803-1869) produced an astonishing work of art centred around one of the most important artists of the 16th century. Although the opera sketches only three days in the colourful life of the Florentine sculptor, namely between Shrove Monday and Ash Wednesday in 1532, they are tumultuous enough: After several hours in the hustle and bustle of carnival celebrations in Rome, during which Cellini fatally stabs an enemy, the artist nevertheless enjoys sweet victory at the story’s end.

Hector Berlioz was known for his phenomenally differentiated use of the orchestra and its instruments. His many admirers included Richard Wagner. The richly varied score ranges from large-scale tableaux with rousing choral passages to uniquely orchestrated chamber scenes. In this way, Berlioz creates an unparalleled musical depiction of revelry at carnival time.

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