Name: Biennale-Eröffnung
Start: 2025-02-13T00:00:00.000Z
End: 2025-02-15T00:00:00.000Z
Location: Berliner Philharmonie

Admin

Berliner Philharmoniker

Conductor

Kirill Petrenko

Orchestra

Biennale-Eröffnung

Berlin

Germany

Berliner Philharmonie

Großer Saal

Public

Concert

Oratorio / Orchestral

Arcana

Superorganisms

Symphony No. 6 in F Major, op.68 ("Pastoral")

Keerthi Raj

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Baritone

Mezzo-soprano

Contralto

Soprano

Tenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Unter dem Titel Paradise Lost? Von der Bedrohung der Natur eröffnen die Berliner Philharmoniker mit Chefdirigent Kirill Petrenko ihre dritte Biennale. Ein das Thema ideal reflektierendes Werk ist Beethovens »Pastorale«, die überschwänglich die Schönheit des Landlebens feiert. Doch das Idyll erweist sich als brüchig und wird von einem apokalyptischen Sturm hinweggefegt. Eine Naturerscheinung ganz anderer Art verkörpert Miroslav Srnkas Werk Superorganisms, hier zu hören in einer deutschen Erstaufführung. Auf faszinierende Weise schildert es Lebensformen, die nur in der Gemeinschaft existieren können. Das Eröffnungsstück Arcana von Edgard Varèse nimmt Bezug auf den Alchemisten Paracelsus, der nach einem Universalmittel zur Heilung der Menschen suchte.

Deutsch

Under the title Paradise Lost? On the Threat to Nature, the Berliner Philharmoniker and chief conductor Kirill Petrenko open their third Biennale. One work that ideally reflects the theme is Beethoven’s “Pastoral”, which exuberantly celebrates the beauty of country life. However, the idyll proves to be fragile and is swept away by an apocalyptic storm. Miroslav Srnka’s work Superorganisms, heard here in its German premiere, embodies a completely different kind of natural phenomenon. It depicts life forms that can only exist in a community in a fascinating way. The concert opens with Arcana, by Edgard Varèse; The title refers to 16th-century alchemist and astrologer Paracelsus, who sought universal knowledge, and believed that the stars could help understand human healing.

English

Biennale-Eröffnung by Varèse, Srnka, Beethoven, lau 15 feb 2025, Frá (2025/2025), Hljómsveitarstjóri Kirill Petrenko, Berliner Philharmonie, Berlin, Germany

Frammistaða áskriftir (Leikarar & starfslið )

Hljómsveit

Dagskrá, Um & Yfirlit

Ljósmyndir

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir