Name: Billy Budd
Start: 2019-04-23T00:00:00.000Z
End: 2019-05-10T00:00:00.000Z
Location: Royal Opera House

Organization

Chanteur

Baryton

Jacques Imbrailo

Billy Budd

Ténor

Toby Spence

Captain Vere

Basse

Brindley Sherratt

John Claggart

Baryton-basse

David Soar

Mr Flint

Thomas Oliemans

Mr Redburn

Peter Kellner

Lieutenant Ratcliffe

Clive Bayley

Novice\'s Friend

Alan Ewing

Bosun

Duncan Rock

Donald

Konu Kim

Maintop

Sam Furness

Le novice

Dominic Sedgwick

L'ami du novice

Alasdair Elliott

Squeak

Christopher Gillett

Red Whiskers

Ross Ramgobin

First Mate

Simon Wilding

Second Mate

Direction d'orchestre

Ivor Bolton

Mise en scène

Deborah Warner

Décors

Michael Levine

Costumes

Chloe Obolensky

Lumières

Jean Kalman

Chorégraphie

Kim Brandstrup

Royal Opera House

anglais

Londres

Royaume-Uni

Billy Budd Britten

Public

Valide

Britten wrote Billy Budd to a commission from the Arts Council of Great Britain for the 1951 Festival of Britain. It is based on the American writer Herman Melville's novel Billy Budd, Sailor, which was particularly popular in England. Britten and his librettists E.M. Forster and Eric Crozier collaborated in crafting the opera's text, and gave greater prominence to Captain Vere - the role Britten wrote for his partner Peter Pears - than in Melville's novel. Billy Budd's premiere was at the Royal Opera House in 1951. It was initially in four acts. Britten subsequently created a two-act version, which was given its stage premiere at the Royal Opera House in 1964 and is the one usually performed today.

Billy Budd is Britten's grandest opera, particularly in its use of the male chorus in numbers such as Act I's playful sea shanties and the rousing Act II chorus 'This is the moment'. Others of the many highlights include Claggart's aria of malevolence 'O beauty, handsomeness, goodness!', Billy's poignant monologue (Billy in the Darbies) as he awaits execution and Vere's morally tortured opening and closing monologues. Deborah Warner's tender, character-focused staging and Michael Levine's semi-abstract sets give a sense of the intimacy that develops among men living at close quarters at sea, and highlights the contrasting lives of the officers above decks and the men below.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage