Name: Brahms' Piano Concerto No. 1
Start: 2018-12-05T00:00:00.000Z
End: 2018-12-05T00:00:00.000Z
Location: Konserthus

Admin

Oslo Philharmonic

Direction d'orchestre

Vasily Petrenko

Instrument

Simon Trpčeski

Piano

Orchestra

Brahms' Piano Concerto No. 1

Oslo

Norvège

Konserthus

Public

Concerto pour piano n° 1 en ré mineur, Op. 15

Keerthi Raj

Valide

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Mise en scène

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Chanteur

Mezzo-soprano

Contralto

Basse

Baryton-basse

Baryton

Ténor

Contre-ténor

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

Brahms' Piano Concerto No. 1
Simon Trpceski returns to Oslo to perform Brahms´monumental Piano Concerto No. 1 with the Oslo Philharmonic and Vasily Petrenko.

It might be commonly claimed, that while Beethoven's “Emperor” concerto (his fifth) occupies a unique position amongst Romantic piano concertos, Johannes Brahms´(1833−1897) Piano Concerto No. 1 is its heir. With a reach, expressive register and monumentalism with surpassed its predecessor, Brahms set a new standard for the genre. Despite the fact that the concerto sets formidable technical demands for virtuosity and brilliance, it is not the bravura in and of itself which is the focal point. In this concerto, the soloist weaves his way into a drama which plays out within and together with, the whole orchestra.

In line with tradition, Brahms' first concerto for piano has three movements, and the composer builds on earlier models also in terms of form. The first movement has a classical sonata form, but the content and length of the various parts are untraditional. The symphonic drama, with the soloist playing the principal part, is followed by a far calmer second movement. “I am painting a tender portrait of you”, Brahms is to have said of this movement to Clara Schumann. Others have been more captivated by the way it floats, almost like Palestrina's vocal polyphony, and by its spiritual aura. At the start of the finale, the soloist takes back control and thunders away with both rhythmical panache and virtuosic flair. Brahms' first concerto for piano had its world premiere in Hannover in 1859 and was the composer's first successful work for orchestra.

English

Brahms' Piano Concerto No. 1 by Brahms, Du (2018/2018), Chef d'orchestre Vasily Petrenko, Konserthus, Oslo, Norvège

Crédits de représentation (Distribution et équipe de production )

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