Name: Brahms' symfonieën No. 1 en 3
Start: 2023-05-03T00:00:00.000Z
End: 2023-05-10T00:00:00.000Z
Location: Het Concertgebouw

Organization

Conductor

John Eliot Gardiner

Orchestra

Concertgebouworkest

Brahms' symfonieën No. 1 en 3

Luxembourg

Philharmonie

Hamburg

Germany

Elbphilharmonie

Amsterdam

Netherlands

Het Concertgebouw

Brahms' symfonieën No. 1 en 3: Symphony No. 1 in C Minor, op. 68 Brahms (+1 More)

Public

Symphony No. 1 in C Minor, op. 68

Symphony No. 3 in F Major, Op. 90

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Bass

Mezzo-soprano

Contralto

Countertenor

Soprano

Tenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

John Eliot Gardiner en het Concertgebouworkest sluiten hun Brahmscyclus groots af, met alle vier de symfonieën verdeeld over twee avonden - in Amsterdam, Hamburg en Luxemburg. De Britse dirigent ontdoet Brahms’ werken graag van hun soms wat al te serieuze, ‘zware’ imago. Zoals bij de Eerste symfonie. Die ontstond weliswaar na jarenlang zwoegen voor de componist, maar Gardiner spreekt graag over een ‘aansporing om te dansen’ in het werk – en over de steeds weer verspringende, oorkietelende ritmes. En in de Derde symfonie, hoort Gardiner de weerklank van Brahms’ kamermuziek. Hij wijst op de ‘verleidelijke klarinet’ in het eerste deel, en ‘de intimiteit van het gesprek tussen individuele instrumenten’. Zo plaatst de Brit de bekende symfonieën in een heel nieuwe, frisse context. En daar gaat het hem om: een Brahms ‘voor onze tijd’.

Nederlands

John Eliot Gardiner and the Concertgebouw Orchestra close their Brahms cycle on a grand note, with all four symphonies spread over two evenings - in Amsterdam, Hamburg and Luxembourg. The British conductor likes to strip Brahms' works of their sometimes too serious, 'heavy' image. As with the First Symphony . Although it was created after years of toil for the composer, Gardiner likes to talk about an 'incitement to dance' in the work – and about the ever-changing, ear-tickling rhythms. And in the Third Symphony, Gardiner hears the resonance of Brahms's chamber music. He points to the 'seductive clarinet' in the first movement, and 'the intimacy of the conversation between individual instruments'. In this way, the Brit places the well-known symphonies in a completely new, fresh context. And that's what he's all about: a Brahms 'for our time'.

English

Brahms' symfonieën No. 1 en 3 by Brahms, Minn (2023/2023), Surmast Direttur John Eliot Gardiner, Het Concertgebouw, Amsterdam, Netherlands

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Ensemble

Programm, Dwar & Sinossi

Ritratti

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