Name: Bravo! Vail: Jaap Van Zweden, Igor Levit, And Christopher Martin
Start: 2024-07-19T00:00:00.000Z
End: 2024-07-19T00:00:00.000Z
Location: Gerald R. Ford Amphitheater (The Amp)

Admin

New York Philharmonic

Bravo! Vail Music Festival

Dyrygent

Jaap van Zweden

Orchestra

Instrumentalista

Igor Levit

Fortepian

Christopher Martin

Trąbka

Trumpeter

Bravo! Vail: Jaap Van Zweden, Igor Levit, And Christopher Martin

Vail

Stany Zjednoczone

Gerald R. Ford Amphitheater (The Amp)

Public

Private

Concert

Oratorium

Symphony No. 1 in D Major, op. 25 ("The Classical")

Concerto in C minor for Piano, Trumpet, and String Orchestra, op. 35

III symfonia Mendelssohna

Larissa Andrea Pereira

Approved

Bravo! Vail: Jaap Van Zweden, Igor Levit, And Christopher Martin: Symphony No. 1 in D Major, op. 25 ("The Classical") Prokofiev (+2 More)

Igor Levit (“like no other pianist,” exclaimed The New Yorker) and NY Phil Principal Trumpet Christopher Martin share the spotlight in Shostakovich’s concerto for piano and trumpet. Jaap van Zweden conducts the program, which is bookended by symphonies by Prokofiev and Felix Mendelssohn.

Jaap van Zweden began his tenure as the 26th Music Director of the New York Philharmonic in September 2018. He also serves as Music Director of the Hong Kong Philharmonic, a post he has held since 2012, and becomes Music Director of the Seoul Philharmonic in 2024. He has conducted orchestras on three continents, appearing as guest with, in Europe, the Orchestre de Paris, Amsterdam’s Royal Concertgebouw Orchestra, Leipzig Gewandhaus Orchestra, Vienna Philharmonic, Berlin Philharmonic, and London Symphony Orchestra, and, in the United States, the Chicago Symphony Orchestra, The Cleveland Orchestra, Los Angeles Philharmonic, and other distinguished ensembles.
Christopher Martin is one of the leading classical trumpet voices on the world stage. He joined the New York Philharmonic as Principal Trumpet, The Paula Levin Chair, in September 2016. He served as principal trumpet of the Chicago Symphony Orchestra (CSO) for 11 seasons, and enjoyed a distinctive career of more than 20 years in some of America’s finest orchestras, including as principal trumpet of the Atlanta Symphony Orchestra and associate principal trumpet of The Philadelphia Orchestra. He made his New York Philharmonic solo debut in October 2016, performing Ligeti’s The Mysteries of the Macabre, led by then Music Director Alan Gilbert.

Praised as “brilliant, impeccable” by The New York Times and as a musician of “effortless understated virtuosity” by The Chicago Tribune, Christopher Martin has appeared as soloist multiple times nationally and internationally with the CSO and music director Riccardo Muti. Highlights of Martin’s solo appearances include the 2012 World Premiere of Christopher Rouse’s concerto Heimdall’s Trumpet; Panufnik’s Concerto in modo antico, with Muti; a program of 20th-century French concertos by André Jolivet and Henri Tomasi; and more than a dozen performances of J.S. Bach’s Brandenburg Concerto No. 2. Other solo engagements have included Martin with the Australian Chamber Orchestra, Seiji Ozawa’s Saito Kinen Festival, Atlanta and Alabama Symphony Orchestras, and the National Symphony Orchestra of Mexico. Christopher Martin’s discography includes a solo performance in John Williams’s score to Steven Spielberg’s Lincoln (2012) and two recordings of a concerto Martin co-commissioned: John Mackey’s Antique Violences.

Dedicated to music education, Martin is a professor of trumpet at The Juilliard School and has given master classes and seminars around the world. He has served on the faculty of Northwestern University and coached the Civic Orchestra of Chicago for 11 years. In 2010 he co-founded the National Brass Symposium with his brother Michael Martin, a trumpeter in the Boston Symphony Orchestra, and in 2016 he received the Edwin Franko Goldman Memorial Citation from the American Bandmasters Association for outstanding contributions to the wind band genre.

Christopher Martin is a Yamaha Performing Artist. He and his wife, Margaret — an organist and pianist — have two young children who both prefer the piano over the trumpet.

With an alert and critical mind, pianist Igor Levit places his art in the context of social events and understands it as inseparably linked to them. As a recitalist he regularly performs at the world’s most renowned concert halls and festivals. He is regular soloist with the world’s leading ensembles, such as The Cleveland Orchestra, Leipzig Gewandhaus Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, and Vienna Philharmonic. In the spring of 2021 he and the Lucerne Festival announced a multiyear collaboration for a new piano festival curated by Levit; its first edition takes place in May 2023.

English

Udział w spektaklu (Obsada & realizacja )

Ensemble