Name: Bruckner’s Symphony No. 9
Start: 2025-02-07T00:00:00.000Z
End: 2025-02-09T00:00:00.000Z
Location: Het Concertgebouw

Admin

Concertgebouworkest

Het Concertgebouw

Director(a) orquestal

Riccardo Chailly

Orchestra

Bruckner’s Symphony No. 9

Ámsterdam

Países Bajos

Public

Sinfonía n.º 9 en re menor, WAB 109

Jnanakumar P

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) coral

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

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Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

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Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Barítono

Cantante

Contralto

Tenor

Bajo

Contratenor

Soprano

Mezzosoprano

Bajobarítono

Alto

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

Riccardo Chailly, conductor emeritus and former chief conductor of the Concertgebouw Orchestra, rounds off the symphonic cycle marking Anton Bruckner’s 200th birthday with his enigmatic swansong, the Symphony No. 9 – including the finale, which the latest scholarship has deemed complete.

Anton Bruckner’s symphonies are a pillar of the Concertgebouw Orchestra’s core repertoire. And they’re certainly in good hands with such an authority as Riccardo Chailly. He sees Bruckner as ‘a saint who constantly confronted the devil, a man of such piety that he dared to explore the darkness’. In the Ninth, darkness wins: Bruckner died before completing the work. The slow third movement is a dignified ‘farewell to life’, as Bruckner himself noted in the score. ‘It has to be the most beautiful thing I have ever written,’ he said of this moving Adagio. ‘It always grips me when I play it.’

Many fragments of the missing finale were found among Bruckner’s personal effects. And for more than a century, these made up a fascinating puzzle, yet no one could piece them together to form a convincing whole. But a team of musicologists changed all that in 2012. The performance version by Samale, Phillips, Cohrs and Mazzuca is astounding and changes the symphony’s tragic character: after three dark movements, the last brings redemption. Performed here is the ‘SPCM’ version heard in J.A. Phillips’s most recent revision dating from 2021–22.

English

Bruckner’s Symphony No. 9 by Bruckner, De (2025/2025), Director Riccardo Chailly, Het Concertgebouw, Ámsterdam, Países Bajos

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