Organization

Tiroler Festspiele Erl

Director(a) orquestal

Titus Engel

Cantante

Mezzosoprano

Zanda Švēde

Mezzo-soprano

Orchestra

Camerata Salzburg

Others

Chor der Tiroler Festspiele Erl

Weinzierl bei Krems

Austria

Festspielhaus

CAMERATA SALZBURG I: Concert Various

Public

Concierto

Válido

"They were sonatas, more veiled symphonies," wrote Robert Schumann about the piano improvisations
of the young Johannes Brahms, prophesying "even more wonderful glimpses into the mysteries of the spirit world" when Brahms "lowered his magic wand where the powers of the masses seemed to him." , in chorus and orchestra, lend their powers". Brahms redeemed what Schumann raved about: he lifted the symphonic veil with the composition of four orchestral symphonies and also bundled the vocal and orchestral forces in symphonic choral works. It is these choral-orchestral works that complete the Brahms symphony and also his understanding of human existence, which resonates abstractly in the symphonies, and his attitude to life in the texts set to music by poets such as
Making Goethe, Schiller and Hölderlin concretely comprehensible. It is precisely this overall view that the Swiss conductor Titus Engel, the Camerata Salzburg and the choir of the Tyrolean Festival Erl open up with their cycle, in which the four symphonies are supplemented by four of the symphonic choral works. In the first concert, Symphony No. 1 is introduced by the alto rhapsody in the same key of C minor for soloist, male choir and orchestra based on stanzas from Goethe’s “Harzreise im Winter” and “Nänie” for mixed choir and orchestra based on an elegy by Schiller

English

Camerata Salzburg by Various, De (2022/2022), Director Titus Engel, Festspielhaus, Weinzierl bei Krems, Austria

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