Organization

Festival d'Aix en Provence

Conductor

Wayne Marshall

Stage director

Daniel Fish

Set designer

Andrew Lieberman

Perrine Villemur

Costume designer

Terese Wadden

Lighting designer

Éric Wurtz

Choreographer

Annie-B Parson

Collaboration in the choreography

Catherine Galasso

Chorus master

Benedict Kearns

Singer

Tenor

Paul Appleby

Candide

Soprano

Jennifer France

Cunegonde

Baritone

Sean Michael Plumb

Maximilian

Contralto

Thandiswa Mpongwana

Paquette

Derek Welton

Dr Pangloss

Peter Hoare

Governor

Paweł Trojak

Martin

Orchestra

Lyon Opera Orchestra

Others

Lyon Opera Choirs

ingelesa

Lyon

France

Public

Private

frantsesa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Mezzo-soprano

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

British conductor Wayne Marshall and American director Daniel Fish, both madly in love with the best of American musical comedy, take on the work of West Side Story Leonard Bernstein. Inspired by the famous philosophical tale by Voltaire published in 1759, the creation was a "blip" on Broadway in 1956, before this Candide and its songs entered into legend.
The young Candide's mentor, Pangloss, an incorrigible optimist, convinced that “everything is for the best in the best of all possible worlds”; the incorrigible pessimist Martin; Cunégonde a hundred times violated and a hundred times reborn; the Old Lady and Cacambo, fight to survive the worst insults, throughout musical numbers of a formidable invention. And if it was necessary, as concludes Candide, simply "to cultivate its garden"? That is to say his intelligence, his knowledge and his critical capacity, against all fatalities and all beliefs?

English

Le chef britannique Wayne Marshall et le metteur en scène américain Daniel Fish, tous deux amoureux fous de ce que la comédie musicale américaine a de meilleur, s’emparent avec la chorégraphe Annie-B Parson de l’œuvre du compositeur de West Side Story Leonard Bernstein. Inspiré du célèbre conte philosophique de Voltaire publié en 1759, la création fut un « bide » à Broadway en 1956, avant que ce Candide et ses chansons n’entrent dans la légende.
Le mentor du jeune Candide, Pangloss, indécrottable optimiste, convaincu que « tout est pour le mieux dans le meilleur des mondes possibles » ; l’indécrottable pessimiste Martin ; Cunégonde cent fois violée et cent fois renaissante ; la Vieille Dame et Cacambo, luttent pour survivre aux pires avanies, au long de numéros musicaux d’une invention formidable. Et s’il fallait, comme le conclut Candide, simplement « cultiver son jardin » ? C’est-à-dire son intelligence, son savoir et sa capacité critique, contre toutes les fatalités et toutes les croyances ?

français

Candide by Bernstein, ig. 01 urt. 2023, Noiztik (2022/2023), Zuzendaria Daniel Fish,, Zuzendaria Wayne Marshall

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