Organization

Stage director

Marc Adam

Set designer

Set designer (+3)

Roy Spahn

Costume designer

Sarah Rolke

Chorusmaster

Chorusmaster (+1)

Joseph Feigl

Choreographer

Stage director (+1)

Pascale-Sabine Chevroton

Dramaturge

Lür Jaenike

Bass (+2)

Ramin Varzandeh

Lillas Pastia

Baritone (+2)

Changmin Lee

Morales

Bass (+3)

Ryszard Kalus

Zuniga

Soprano (+3)

Marina Medvedeva

Frasquita

Krzysztof Napierała

Dancaire

Tenor (+5)

Andrés Felipe Orozco

Remendado

Theater and Orchestra Neubrandenburg / Neustrelitz

Orchestra

Neubrandenburger Philharmonie

Chorus

TOG Opera Choir

Others

Deutsche Tanzkompanie Neustrelitz

Ballet

Deutsche Tanzkompanie

Schlossgarten Neustrelitz

Conductor

Conductor (+1)

Daniel Klein

Soprano (+2)

Fernanda de Araujo

Mercedes

Mezzo-soprano (+4)

Jana Marković

Carmen

Tenor

Francisco Huerta

Don José

Soprano (+1)

Alina Tkachuk

Michaela

Tenor (+4)

Bernd Könnes

Bass-baritone (+3)

Sebastian Naglatzki

Escamillo

Baritone (+3)

Robert Merwald

Soprano (+7)

Laura Scherwitzl

Mezzo-soprano (+2)

Neele Kramer

Boshana Milkov

Mezzo-soprano (+3)

Milena Juhl

Shuichiro Sueoka

The attractive gypsy Carmen, a swarmed, self-confident woman, meets in Seville in the soldier Don José a man who falls for her hopelessly, but also narrows her through his love. In the conflict between her freedom and this love, she chooses freedom - with fatal consequences.

The adapted meets Carmen, whom he initially ignores. But this unleashes Carmen's passion and she tries everything to seduce the young soldier. José is fascinated by this mysterious and powerful woman who simply takes what she wants. He falls for her more and more, and finally gives up everything for her, his childhood sweetheart Micaela, his service in the military, Carmen's sake, he even joins a gang of smugglers. But Carmen soon turns away from him, she has another eye on another. When José realizes that his love, which is more like an obsession, is hopeless, he commits a terrible act in the affect.

“Carmen” fascinates us to this day, her clinging to her greatest good, her freedom. She would never submit to the pressures of society. Like no other piece, “Carmen” offers the opportunity for exciting visual and entertaining open-air theater.

"Carmen" in the open air with a large ensemble: the soloists of the music theater, the opera and extra choir, the German dance company and the Neubrandenburg Philharmonic.

Físeáin