Organization

Mise en scène

Alexander Titel

Direction d'orchestre

Timur Zangiev

Wolf Gorelik

Lumières

Ildar Bederdinov

Décors

Vladimir Arefiev

Direction de choeur

Stanislav Lykov

Libretto

Henri Meilhac

Chanteur

Mezzo-soprano

Larisa Andreeva

Carmen

Ténor

Najmiddin Mavlyanov

Don José

Soprano

Elena Bezgodkova

Micäela

Baryton

Andrej Baturkin

Escamillo

Basse

Roman Ulybin

Zuniga

Evgenia Afanasieva

Frasquita

Natalia Vladimirskaya

Mercédès

Valery Mikitsky

Le Dancaïre

Chingis Ayusheev

Le Remendado

Ilya Pavlov

Moralès

Louis Halévy

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

français

Moscou

Russie

Stanislavsky and Nemirovich-Danchenko Music Theater

Public

Valide

Carmen Bizet

In this deliberately deprived of beauty, almost entirely sandy-white performance with rare splashes of gray and black - its own poetry, in some places unobtrusively echoes with Italian neo-realism. But only sometimes. According to the details of everyday life, according to the character traits, everything is probably happening somewhere on the border of Spain and France, in the middle of the twentieth century. Michaela rides a bicycle from his village to Jose, the fighting girls from the tobacco factory are separated by a stream of water from a hose, the torrero (in an ordinary modern suit) is carefully protected from the rain by strong guys very familiar to the viewer

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage