Organization

Mise en scène

Mise en scène (+3)

Ole Anders Tandberg

Décors

Décors (+1)

Erlend Birkeland

Costumes

Costumes (+3)

Maria Geber

Lumières

Ellen Ruge

Direction de choeur

Direction d'orchestre (+2)

Jeremy Bines

Direction de choeur (+3)

Christian Lindhorst

Chorégraphie

Chorégraphie (+2)

Silke Sense

Soprano (+1)

Elisa Verzier

Frasquita

Baryton (+3)

Artur Garbas

Dancaire

Kyle Miller

Morales

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Chorus

Choir of the Deutsche Oper Berlin

Kinderchor der Deutschen Oper Berlin

Basse (+1)

Tobias Kehrer

Zuniga

Baryton-basse (+2)

Joel Allison

Escamillo

Direction d'orchestre

Direction d'orchestre (+1)

Yi-Chen Lin

Dominic Limburg

Mezzo-soprano (+2)

Irene Roberts

Carmen

Karis Tucker

Mercedes

Mezzo-soprano (+3)

Arianna Manganello

Soprano (+2)

Maria Motolygina

Michaela

Valeriia Savinskaia

Ténor

Tomislav Mužek

Don José

Ténor (+4)

Andrew Dickinson

Remendado

Ténor (+2)

Thomas Cilluffo

Mezzo-soprano (+4)

Anna Goryachova

Attilio Glaser

Baryton (+4)

Samuel Dale Johnson

Ténor (+1)

Matthew Newlin

With his CARMEN, Georges Bizet wrote a declaration of war on romantic opera: With her indomitable will for freedom, the title heroine embodies the opposite of the passive, suffering female characters who previously dominated the opera stage. But CARMEN is anti-romantic in an even broader sense: Bizet's opera shows a world in which love as an interpersonal feeling no longer has any place and has long since been replaced by sex and violence. Carmen and the torero Escamillo are representatives of this society, in which only the right of the strongest counts. A world in which Don José, with his bourgeois ideal of love, remains a doomed alien.

Vidéos