Organization

Conductor

Ivo Lipanović

Stage director

Petar Selem

Set designer

Marin Gozze

Costume designer

Dora Argento

Najda Kromić

Chorus master

Ana Šabašov

Lighting designer

Deni Šesnić

Singer

Mezzo-soprano

Martina Tomčić

Carmen

Tenor

Bojidar Nikolov

Don José

Ante Ivić

Baritone

Siniša Hapač

Escamillo

Soprano

Božena Svalina

Michaela

Bass

Berislav Puškarić

Zuniga

Ante Jerkunica

Marija Vidovic

Frasquita

Dajana Stolić Bohnert

Nera Gojanović Kljajić

Mercedes

Ljiljana Čokljat

Vinko Maroević

Dancaire

Špiro Boban

Sveto Matošić Komnenović

Remendado

Saša Jakelić

Zlatko Aurelio Kokeza

Morales

Franjo Pavić

Jure Mirošević

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Ballet

HNK Split Ballet

Split

Croatia

Carmen Bizet

Public

Approved

Bizet's masterpiece is one of the few in operatic literature that is deeply rooted in the harsh and vicious reality of life. Prosper Mérimée's novella, on which the libretto was based, talks about people   "from the back entrances", and Bizet's music of events in the environment of that half-world rises to pure tragic levels. The character of Carmen is probably the most popular and enigmatic among the heroines of the opera stage. It has been read countless times, yet it seems as if many of its secrets have not yet been discovered.

English

Bizetovo remek-djelo jedno je od rijetkih u opernoj literaturi koje je duboko usječeno u tvrdu i opaku stvarnost života. Novela Prospera Mériméea po kojoj je rađen libreto govori o ljudima  ''sa stražnjih ulaza'', a Bizetova glazba zbivanja u okruženju tog polusvijeta izdiže do čistih tragičkih razina. Lik Carmen zacijelo je najpopularniji i najenigmatičniji među junakinjama operne pozornice. Čitan je bezbroj puta, pa ipak se čini kao da mnoge njegove tajne još nisu otkrivene.

hrvatski

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Kast

Ekwipaġġ

Ensemble