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State Opera Berlin

Dirección orquestal

Dirección orquestal (+1)

Valentin Uryupin

Dirección de escena

Martin Kušej

Escenografía

Escenografía (+2)

Jens Kilian

Diseño de vestuario

Heidi Hackl

Iluminación

Iluminación (+1)

Reinhard Traub

Mezzosoprano (+4)

Gaëlle Arquez

Carmen

Tenor

Ivan Gyngazov

Don José

Bajobarítono (+3)

Lukasz Goliński

Escamillo

Barítono (+2)

Jaka Mihelač

Le Dancaïre

Tenor (+3)

Andrés Moreno García

Le Remendado

Barítono (+3)

Roman Trekel

Moralès

Bajo (+7)

Jan Martinik

Zuñiga

Soprano (+1)

Clara Nadeshdin

Micäela

Rebecka Wallroth

Mercédès

Maria Kokareva

Frasquita

Orchestra

Staatskapelle Berlin

Chorus

Staatsopernchor Berlin

Staatsoper Unter den Linden

Actor (+5)

Sébastien Dutrieux

Lillas Pastia

Asistente de dirección escénica

Dirección de escena (+2)

Katharina Lang

An opéra comique with a tragic ending that brings the eternal game of passionate love and tormenting jealousy to the stage, and whose rousing music has appealed to audiences all over the world and continues to appeal to them again and again - that is Bizet's "Carmen". Mutual forces of attraction and repulsion are at work, with ultimately fatal consequences - carried and taken responsibility for by idiosyncratic, memorable characters.

Georges Bizet, the talent of the century, could only have guessed at the success of his "Carmen", which premiered in Paris in the spring of 1875, but could not enjoy it. When his opera was performed for the 33rd time, he died at the age of just 38. Today, "Carmen" is one of the most frequently performed pieces in the repertoire, and there is no end in sight to the enthusiastic response. Quite a few musical numbers have become real "hits", and the southern sound color and the bright orchestral colors, which radiate something very sensual, create additional appeal. This music, which fits so harmoniously with the dramatic events, is cleverly made, and yet so catchy, "popular" in a good sense. Each of the characters is given their own musical profile - lifelike people come on stage in a quasi-realistic way, which supports the credibility of their singing and acting. Bizet's "Carmen" is one of the declared masterpieces of opera literature.

francés

Berlín

Alemania

Carmen Bizet

Staged

Ópera

Keerthi Raj

alemán

inglés

In this episode, soprano Serena Sáenz, who sings the role of Mercédès in our current production of CARMEN, reveals where in pop culture you can find the hits "Habanera" and the Toreador Song from Bizet's opera.

In dieser Folge verrät die Sopranistin Serena Sáenz, die in unserer aktuellen Produktion von CARMEN die Rolle der Mercédès singt, wo überall man in der Popkultur die Hits "Habanera" und das Toreador-Lied von Bizets Oper finden kann.

pOpera Culture | CARMEN in the movies

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