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State Opera Berlin

Dyrygent

Dyrygent (+1)

Valentin Uryupin

Reżyseria

Martin Kušej

Scenografia

Scenografia (+2)

Jens Kilian

Kostiumy

Heidi Hackl

Reżyseria światła

Reżyseria światła (+1)

Reinhard Traub

Mezzosopran (+4)

Gaëlle Arquez

Carmen

Tenor

Ivan Gyngazov

Don José

Bas - baryton (+3)

Lukasz Goliński

Escamillo

Baryton (+2)

Jaka Mihelač

Dancairo

Tenor (+3)

Andrés Moreno García

Remendado

Baryton (+3)

Roman Trekel

Morales

Bas (+7)

Jan Martinik

Zuniga

Sopran (+1)

Clara Nadeshdin

Micaëla

Rebecka Wallroth

Mercedes

Maria Kokareva

Frasquita

Orchestra

Staatskapelle Berlin

Chorus

Staatsopernchor Berlin

Staatsoper Unter den Linden

Aktor (+5)

Sébastien Dutrieux

Lillas Pastia

Asystent Reżysera Sceny

Reżyseria (+2)

Katharina Lang

An opéra comique with a tragic ending that brings the eternal game of passionate love and tormenting jealousy to the stage, and whose rousing music has appealed to audiences all over the world and continues to appeal to them again and again - that is Bizet's "Carmen". Mutual forces of attraction and repulsion are at work, with ultimately fatal consequences - carried and taken responsibility for by idiosyncratic, memorable characters.

Georges Bizet, the talent of the century, could only have guessed at the success of his "Carmen", which premiered in Paris in the spring of 1875, but could not enjoy it. When his opera was performed for the 33rd time, he died at the age of just 38. Today, "Carmen" is one of the most frequently performed pieces in the repertoire, and there is no end in sight to the enthusiastic response. Quite a few musical numbers have become real "hits", and the southern sound color and the bright orchestral colors, which radiate something very sensual, create additional appeal. This music, which fits so harmoniously with the dramatic events, is cleverly made, and yet so catchy, "popular" in a good sense. Each of the characters is given their own musical profile - lifelike people come on stage in a quasi-realistic way, which supports the credibility of their singing and acting. Bizet's "Carmen" is one of the declared masterpieces of opera literature.

francuski

Berlin

Niemcy

Carmen Bizet

Opera

Keerthi Raj

niemiecki

angielski

In this episode, soprano Serena Sáenz, who sings the role of Mercédès in our current production of CARMEN, reveals where in pop culture you can find the hits "Habanera" and the Toreador Song from Bizet's opera.

In dieser Folge verrät die Sopranistin Serena Sáenz, die in unserer aktuellen Produktion von CARMEN die Rolle der Mercédès singt, wo überall man in der Popkultur die Hits "Habanera" und das Toreador-Lied von Bizets Oper finden kann.

pOpera Culture | CARMEN in the movies

Approved

Carmen, Bizet

Obsada

Carmen

Don José

Escamillo

Le Dancaïre

Le Remendado

Moralès

Zuniga

Micaëla

Mercédès

Frasquita

Lillas Pastia

Załoga

Reżyseria

Asystent Reżysera Sceny

Dyrygent

Scenografia

Kostiumy

Reżyseria światła

Instrumentacja

Producent

Producent

Ensemble

Orkiestra

Chór

Współproducent

Promowane filmy

Zdjęcia

Szczegóły

Kompozytor / -ka

Libretto

Opis

Synopsis produkcji