Name: Carmen (adaptation)
Start: 2016-03-02T00:00:00.000Z
End: 2016-04-09T00:00:00.000Z
Location: Theater am Fleischmarkt

Admin

Organization

Singer

Natalia Kawałek-Plewniak

No role specified

Thomas David Birch

Viktorija Bakan

Baritone

Tobias Greenhalgh

Escamillo

Félix Duméril

Costume designer

Patricia Walczak

Set designer

Stage director

Andreas Zimmermann

Lighting designer

Franz Tscheck

Choreographer

Mezzo-soprano

Carmen

Tenor

Don José

Soprano

Michaela

Bass

Zuniga

Libretto

Henri Meilhac

Lü-to-wei-k'o A-lai-wei

MusikTheater an der Wien

frantsesa

Carmen (adaptation)

Vienna

Austria

Theater am Fleischmarkt

alemana

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Chorus master

Composer

Conductor

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Although formally an Opéra comique and also referred to as such, Bizet's Carmen was a revolutionary break with this genre of opera. The realistic description of the milieu, drama and fateful tragedy made it a forerunner of verismo. The libretto was written by Henri Meilhac and Ludovic Halévy based on the novel of the same name by Prosper Mérimée. Because of this veristic plot, which the audience perceived as disturbing, the premiere on March 3, 1875 in the Opéra-Comique was received rather negatively. Soon afterwards, Carmen became one of the greatest world successes in opera history, which the composer did not live to see.

An extraordinary boom in Carmen variations has been recorded since the 1980s. In the same months in 983, in which Peter Brook presented an independent theatrical variant, The Tragedy of Carmen, and Francesco Rosi was shooting a Carmen film in the southern Andalusian city of Ronda, Carlos Saura's opera Carmen began to trigger a true flamenco fever worldwide. The chamber opera also contributed their rock version of the subject in May 1988 with Carmen Negra.

Now the trio, known from their New Year's Eve concerts in the chamber opera, consisting of Tommaso Huber, Sebastian Gürtler and Georg Breinschmid, has set itself the task of creating a new version of this opera hit. Tscho Theissing's arrangement will cast a unique, jazz-inspired look at the world-famous melodies and rhythms of George Bizet.

English

Carmen (adaptation) by Bizet, az. 02 mar. 2016, Noiztik (2016/2016), Zuzendaria Andreas Zimmermann,, Theater am Fleischmarkt, Vienna, Austria

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