Organization

Śpiewak

Sopran

Anne Sophie Petit

La Fée

Opéra de Lausanne

Dyrygent

Corinna Niemeyer

Reżyseria

David Hermann

Scenografia

Paul Zoller

Wideo

Kostiumy

Axel Aust

Reżyseria światła

Fabrice Kebour

Staging Assistant

Jean-Philippe Guilois

Przygotowanie chóru

Pascal Adoumbou

Ruzan Mantashyan

Cendrillon

Mezzosopran

Ambroisine Bré

Le Prince Charmant

Doris Lamprecht

Madame de la Haltière

Bas - baryton

Nicolas Cavallier

Pandolfe

Aurélie Brémond

Noémie

Julia Deit-Ferrand

Dorothée

Baryton

Benoît Capt

Le Roi

Aslam Safla

Le Surintendant des plaisirs

Tenor

Aurélien Reymond-Moret

Le Doyen de la Faculté

Mohamed Haidar

Le Premier Ministre

Others

Orchestre de Chambre de Lausanne

Chorus of the Lausanne Opera

Lozanna

Szwajcaria

Public

Approved

In the paradise of (big) children
Grand Prix de Rome, youngest member of the Institute, professor of composition at the Paris Conservatory (where he trained Chausson, Pierné and Schmitt), Jules Massenet remains in the eyes of history a skilful creator of melodies that appeal to the public. Unmotivated to revolutionize his art, he produced around twenty operas that are quite similar – but as these sound magnificently well, no one is going to complain! We readily quote Manon and Werther , but we cannot forget Thaïs (and his sublime Meditation dear to violinists), as well as a Cinderellawhose naturally magical character ideally marries its generous and… deliciously sweet pen. Composed between 1894 and 1895 to a libretto by Henri Cain inspired by Charles Perrault's tale, it premiered on May 24, 1899 at the Opéra-Comique and had a dazzling debut, with no less than fifty performances during the premiere alone. season. It's a fact: Massenet is there at the zenith of his career.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble