Name: Chamber Symphony: Beethoven's 'Pastoral,' Joyce Yang
Start: 2023-06-30T00:00:00.000Z
End: 2023-06-30T00:00:00.000Z
Location: Benedict Music Tent

Organization

Aspen Music Festival

Conductor

Jane Glover

Instrumentalist

Joyce Yang

Piano

Orchestra

Aspen Chamber Symphony

Chamber Symphony: Beethoven's "Pastoral," Joyce Yang

Aspen

United States

Benedict Music Tent

Public

Four Sea Interludes from "Peter Grimes", Op. 33a

Piano Concerto No. 24 KV 491

Symphony No. 6 in F Major, op.68 ("Pastoral")

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Baritone

Contralto

Tenor

Soprano

Bass-baritone

Mezzo-soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

This summer’s theme, “The Adoration of the Earth,” is in full force for this season opener. Two Aspen favorites, conductor Jane Glover and the brilliant AMFS alumna Joyce Yang, team up for a program sure to please both first-time concertgoers and longtime fans.

In Britten’s powerful opera about the unjust treatment of a social outcast by an intolerant community, the sea plays a critical role in the characters’ lives. Six interludes depict its various moods and serve to separate each scene. Britten extracted four of them – Dawn, Storm, Sunday Morning, and Passacaglia – for publication apart from the opera. The colorful and haunting orchestration is so evocative you may feel like you’re at the shore instead of at 8,000 feet!

Some of that turbulent roiling continues in Mozart’s Piano Concerto No. 24, the last of three composed while he was working on the opera The Marriage of Figaro. It’s one of only two piano concertos Mozart wrote in a minor key. Mozart scholar Alfred Einstein called it "an explosion of the dark, tragic, passionate emotions.” Beethoven was particularly impressed by it, remarking to his friend after a performance, “We shall never be able to do anything like that!” With Joyce Yang’s passionate playing and dazzling technique, you’ll hear all the colors and shifts of mood of this dramatic work.

Concluding the program is Beethoven’s beloved Sixth Symphony, one of the two that the composer nicknamed himself. Beethoven had a profound appreciation of nature and loved to walk through the countryside outside of Vienna. He once wrote, “How delighted I will be to ramble for a while through the bushes, woods, under trees, through grass, and around rocks. No one can love the country as much as I do. For surely woods, trees, and rocks produce the echo that man desires to hear."

Welcome the season with a concert that celebrates the variety and beauty of Nature!

English

Chamber Symphony: Beethoven's "Pastoral," Joyce Yang by Britten, Mozart, Beethoven, Minn (2023/2023), Surmast Direttur Jane Glover, Benedict Music Tent, Aspen, United States

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Ensemble

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