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Leonid Borissowitsch Newslin

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Kristine Tornquist

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CHODORKOWSKI | World premiere | Part 1
https: //www.sirene.at/archiv/2015-202 ... | https: //khodorkovsky.com/khodorkovsky ...
Switch on subtitles! CHODORKOWSKI 1 - siren opera theater music. Periklis Liakakishttps: //www.sirene.at/site/assets/fil ...
Libretto. Kristine Tornquisthttps: //www.sirene.at/site/assets/fil ...
Atelier of the Academy of Fine Arts Vienna | November 2015 0. OVERTURE
00:00 00) appearance
01:22 00) Freedom or Security 1. PERESTROIKA
02:21 01) Ivan and Natascha
03:31 02) Putin and Sechin
06:16 03) Khodorkovsky near Marina
10:45 04) Putin and Sechin 2. CAREER
12:33 05) Gold rush times
14:49 06) Khodorkovsky near Marina
16:39 07) JUKOS
18:39 08) Profit
19:26 09) Putin and Khodorkovsky 3rd CRISIS
20:46 10) Yeltsin's mistake
21:46 11) loss
22:57 12) The communists
25:20 13) press campaign
26:27 14) Ivan and Natascha
27:52 15) Putin and Khodorkovsky
30:10 16) Yeltsin
31:59 13b) Putin
34:19 17) strike
36:04 18) Khodorkovsky and Petuchov
40:08 19) Khodorkovsky near Marina
41:48 20) The murder
43:42 21) birthday
48:44 22) Putin and Sechin Act 2: https://youtu.be/6mznvKqTZiY
Guest performance in Athens 2020: https://youtu.be/DJ1jKWIRYg0

Kristine Tornquist's libretto encompasses not only the royal drama between Mikhail Khodorkovsky and Vladimir Putin, but also the complex historical background from 1989 to 2013. Over time, the changing relationships between the economy and the state do not completely change the relationship between the two at first dissimilar protagonists - young, ambitious men who have nothing to lose. The complex connections between the historical upheavals and upheavals are intertwined with financial policy mistakes and power-political intrigues. But as soon as the opponents have reached the top, the character differences become apparent. While one is securing his territory, the other thinks ahead and risks everything. Mikhail Borisovich Khodorkovsky. Clemens Kölbl Marina Filippowna Khodorkovskaya. Ingrid Habermann Vladimir Vladimirovich Putin. Alexander Mayr Igor Ivanovich Sechin. Steven Scheschareg Leonid Borisovich Newslin. Gernot Heinrich Ivan Ivanovich. Sébastien Soulès Natascha. Lisa Rombach Xenia kritovskaya, TV journalist. Elsa Giannoulidou Kate, PR company. Katharina Tschakert Alexej Wladimirowitsch Pitschugin. Matthias Haid Vladimir Petuchow. Wilhelm Spuller Roman Arkadjewitsch Abramowitsch. Richard Klein Matteo Tiziani. Dieter Kschwendt-Michel Fortuna. Bärbel Strehlau The Red Orchestra Violin. Fani Vovoni violin. Maud Breisach viola. Julia Purgina cello. Irene Frank double bass. Marcell Dénes-Worowski oboe. Helene Kenyeri clarinet and bass clarinet. Thomas Schön bassoon. Angelika Riedl trumpet. Spiros Laskaridis trombone. Stefan Thurner trombone. Nikolaus Singhania accordion. Grzegorz Stopa percussion. Adina Radu conductor. Periklis Liakakis. Petra Giacalone Director. Kristine Tornquist choreography. Bärbel Strehlau stage. Andrea Költringer costume. Markus Kuscher mask. Anna Dreo. Csilla Domjan. Isabella Gajcic. Jutta Pokorny technology. Edgar Aichinger assistant director. Louise Linsenbolz internship director. Fatima Friday. Amina Hassan assistant stage. Michael Liszt. Sladan Krklec assistant costume. Lea Neckel, Manu Hämmerle Assistant Organization. Thomas Wittenberg. Production assistant. Selina Nowak. Film recording: Manu Hämmerle, Daniel Chamier, Kristine Tornquist Production. Kristine Tornquist & Jury Everhartz "Freedom!" Some cheer, "Security!" the others. Freedom stands for Mikhail Khodorkovsky, one of those soldiers of fortune who come to fabulous wealth in the successor state of the Soviet Union. She criticizes the Putin system in the context of its historical preconditions. All remain in the twilight. Kristine Tornquist portrays Putin as an unapproachable right-wing populist, driven by the fear of not being safe in the post-Soviet power network. Anyone who is even remotely interested in politics should have seen this. The standard, Stefan Weiss

#sirenoperntheater #music theater #kammeroper

Semperdepot

CHODORKOWSKI | World premiere | Part 2
https://www.sirene.at/archiv/2015-202... | https://khodorkovsky.com/khodorkovsky...
Switch on subtitles! CHODORKOWSKI 2 - siren opera theater music. Periklis Liakakishttps://www.sirene.at/site/assets/fil...
Booklet. Kristine Tornquisthttps://www.sirene.at/site/assets/fil...
Atelier of the Academy of Fine Arts Vienna | November 2015

00:00 00) Performance 4th POWER
00:27 23) President Putin
03:32 24) Ivan and Natasha
04:45 25) PR concept
09:25 26) Ivan and Natascha
12:27 27) game of chess
14:29 28) Khodorkovsky near Marina
16:42 29) Investments
18:06 30) Money and Power 5. INTRIGUE
19:17 31) Abramovich
22:58 32) The oligarchs
28:49 33) Fusion
30:19 34) Ivan and Natasha
32:42 35) arrests
34:17 36) Blackmail
35:30 37) Farewell and Arrest 6. CAPTIVITY
38:55 38) State interests
41:37 39) In jail
43:15 40) Putin's Empire
44:47 41) Natascha
46:49 42) Iwans Tod
52:47 43) Equal law
54:11 44) No turning back
56:02 00) Applause 1st act: https://youtu.be/VLrOGVNvyXs
Guest performance in Athens 2020: https://youtu.be/DJ1jKWIRYg0

Kristine Tornquist's libretto encompasses not only the royal drama between Mikhail Khodorkovsky and Vladimir Putin, but also the complex historical background from 1989 to 2013. Over time, the changing relationships between the economy and the state do not completely change the relationship between the two at first dissimilar protagonists - young, ambitious men who have nothing to lose. The complex connections between the historical upheavals and upheavals are intertwined with financial policy mistakes and power-political intrigues. But as soon as the opponents have reached the top, the character differences become apparent, while one secures his territory, the other thinks further and risks everything. Mikhail Borisovich Khodorkovsky. Clemens Kölbl Marina Filippowna Khodorkovskaya. Ingrid Habermann Vladimir Vladimirovich Putin. Alexander Mayr Igor Ivanovich Sechin. Steven Scheschareg Leonid Borisovich Newslin. Gernot Heinrich Ivan Ivanovich. Sébastien Soulès Natascha. Lisa Rombach Xenia kritovskaya, TV journalist. Elsa Giannoulidou Kate, PR company. Katharina Tschakert Alexej Wladimirowitsch Pitschugin. Matthias Haid Vladimir Petuchow. Wilhelm Spuller Roman Arkadjewitsch Abramowitsch. Richard Klein Matteo Tiziani. Dieter Kschwendt-Michel Fortuna. Bärbel Strehlau The Red Orchestra Violin. Fani Vovoni violin. Maud Breisach viola. Julia Purgina cello. Irene Frank double bass. Marcell Dénes-Worowski oboe. Helene Kenyeri clarinet and bass clarinet. Thomas Schön bassoon. Angelika Riedl trumpet. Spiros Laskaridis trombone. Stefan Thurner trombone. Nikolaus Singhania accordion. Grzegorz Stopa percussion. Adina Radu conductor. Periklis Liakakis. Petra Giacalone Director. Kristine Tornquist choreography. Bärbel Strehlau stage. Andrea Költringer costume. Markus Kuscher mask. Anna Dreo. Csilla Domjan. Isabella Gajcic. Jutta Pokorny technology. Edgar Aichinger assistant director. Louise Linsenbolz internship director. Fatima Friday. Amina Hassan assistant stage. Michael Liszt. Sladan Krklec assistant costume. Lea Neckel, Manu Hämmerle Assistant Organization. Thomas Wittenberg Production Assistant. Selina Nowak Film recording: Manu Hämmerle. Daniel Chamier. Kristine Tornquist Production. Kristine Tornquist & Jury Everhartz "Freedom!" Some cheer, "Security!" the others. Freedom stands for Mikhail Khodorkovsky, one of those soldiers of fortune who come to fabulous wealth in the successor state of the Soviet Union. Ex-KGB officer Vladimir Putin is responsible for security. One wants to make Russia the largest company in the world, the other to save a piece of the Soviet Union into the new era. Putin will emerge victorious. Khodorkovsky is an opera in tune with the times. Kristine Tornquist stages the power struggle as a royal drama of classic size. Periklis Liakakis sets the drama to music with eerie reserve. "Our compass is profit, our idol is capital, our goal is the billion", sounds the new financial oligarchy in the recently collapsed Soviet empire. The crisis follows the rain of money. When Khodorkovsky questions Putin's primacy, he falls from grace. Khodorkovsky is a remarkably beneficial production, because she juxtaposes the current tendency towards black and white painting with a fact-based power analysis in all shades of gray. She criticizes the Putin system in the context of its historical preconditions. All remain in the twilight. Kristine Tornquist portrays Putin as a strangely aloof right-wing populist, driven by the fear of not being safe in the post-Soviet power network. Anyone who is even remotely interested in politics should have seen this. The standard, Stefan Weiss Anyone who is even remotely interested in politics should have seen this. The standard, Stefan Weiss Anyone who is even remotely interested in politics should have seen this. The standard, Stefan Weiss

#sireneoperntheater #music theater #kammeroper

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