Name: Claudio Abbado conducts Beethoven and Mendelssohn
Start: 2002-02-09T00:00:00.000Z
End: 2002-02-09T00:00:00.000Z
Location: Berliner Philharmonie

Organization

Pianist

Maurizio Pollini

Conductor

Claudio Abbado

Singer

Soprano

Karita Mattila

Lioba Braun

Tenor

Peter Seiffert

Mats Carlsson

Chorus master

Bo Wannefors

Orchestra

Berliner Philharmoniker

Others

Swedish Radio Choir

Eric Ericsons Kammarkör

Claudio Abbado conducts Beethoven and Mendelssohn

Berlin

Germany

Berliner Philharmonie

In this concert, Claudio Abbado conducts works that impress with their powerful choral singing, while fascinating due to their unusual form: Beethoven’s Choral Fantasy with Maurizio Pollini as the pianist, followed by Mendelssohn’s Second Symphony, known as the Lobgesang (Hymn of Praise). This recording from 2002 is also unusual in that although both pieces are widely known, they are not often performed in concert.

Claudio Abbado conducts Beethoven and Mendelssohn: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Baritone

Bass-baritone

Mezzo-soprano

Contralto

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

In this concert, we encounter works that impress with their powerful choral singing, while fascinating due to their unusual form: Beethoven’s Choral Fantasy, followed by Mendelssohn’s Second Symphony, known as the Lobgesang (Hymn of Praise). For this performance of these widely known but not often performed works, conductor Claudio Abbado had the services of first-rate soloists at his disposal: the pianist Maurizio Pollini and the singers Karita Mattila, Lioba Braun and Peter Seiffert.

Beethoven’s Choral Fantasy is unique in its combination of human voice, piano and orchestra. The extended piano introduction is probably an impression of Beethoven’s own improvisation style with which he charmed Viennese high society as a young man. The singers make their appearance only at the end of the piece. The choral finale may seem a little reminiscent of Beethoven’s Ninth Symphony, but without achieving or even aspiring to achieve its resoluteness. This is not about the utopia of a better world but a hymn to music and song.

It is also almost impossible to listen to Mendelssohn’s Second Symphony without thinking about Beethoven’s final symphony. At that time it was fundamentally regarded as sacrilege to copy Beethoven’s merging of voice and orchestra in a symphony, and Mendelssohn was the first composer who dared to include a vocal conclusion following the Ninth. It begins with a four-part instrumental movement that is almost a symphony in miniature. The cantata which follows, with its interchange of the dramatic and of celestial beauty, vividly conveys the Romantic era’s view of God: the mighty ruler who is also a comfort to mankind.

English

Claudio Abbado conducts Beethoven and Mendelssohn by Various, lr. 09 ots. 2002, Noiztik (2002/2002), Zuzendaria Claudio Abbado, Berliner Philharmonie, Berlin, Germany

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