Name: Corpus Evita
Start: 2024-02-16T00:00:00.000Z
End: 2024-02-25T00:00:00.000Z
Location: Lucie Stern Theatre

Organization

Conductor

José Luis Moscovich

Stage director

Jose María Condemi

Dramaturge

Set designer

Peter Crompton

Costume designer

Callie Floor

Sound designer

Giselle Lee

Chorus master

Bruce Olstad

West Bay Opera

Others

West Bay Opera Chorus

Orchestra

West Bay Opera Orchestra

Lighting designer

Danielle Ferguson

Makeup artist

Jehan Rasmussen

Hairstylist

Singer

Sara LeMesh

Isabel Perón

Jessica Sandidge

Evita

Casey Germain

Perón

Patrick Bessenbacher

The Ministro

Laure de Marcellus

Corpus Evita

Anders Froehlich

The Doctor

Palo Alto

United States

Lucie Stern Theatre

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Executive producer

Extra

Illustrator

Librettist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Tenor

Baritone

Soprano

Bass

Bass-baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Juan Perón and his second wife, Eva Duarte, were the most influential people in 20th Century Argentine politics. He came to power in 1946 pushing a populist agenda that made him very successful. Eva, a natural politician, surpassed him in charisma. When she died of cancer in her early 30's, her image became mythical. To this day, politicians across the spectrum try to wrap themselves in her flag in order to succeed. Argentina has lived with this myth for seven long decades. This story is about Perón's third wife and running mate in the 1973 elections, Isabel.  She took over from him when he died in office in 1974, and tried to fashion herself after Evita, with the aid of a close confidant rumored to be a warlock. It didn't work out. In 1976 the military coup that ousted her opened the gates of hell, and through them thirty thousand souls were lost. Raw ambition, black magic in the presidential palace, and the ghosts of Perón and Evita intertwine in this tale, told by someone who witnessed those tumultuous times first hand, set to a ravishing, propulsive score by Argentinean composer Carlos Franzetti. The San Francisco Camerata's recording of Corpus Evita for Amapola Records, conducted by Maestro Moscovich was nominated for a Grammy in 2005.

English

Corpus Evita by Franzetti, lr. 24 ots. 2024, Noiztik (2024/2024), Zuzendaria Jose María Condemi,, Zuzendaria José Luis Moscovich, Lucie Stern Theatre, Palo Alto, United States

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