Così fan tutte by Mozart, og. 16 eka. 2016, Noiztik (2016/2016), Zuzendaria Marek Weiss, Zuzendaria Friedrich Haider, Slovak National Theatre Historical Building, Bratislava, Slovakia

Just as Wolfgang Amadeus Mozart's personality is still mysterious, so many of his opuses hide strange secrets. Not only how long the circumstances of the origin of the well-known Requiem have been mythical, or those that concern the author's difficult-to-understand compositional genius. These are content puzzles facing both performers and audiences: how to understand and interpret some of Mozart's operas and their ideological message. The comic opera Così fan tutte is one of them. The basic doubt here applies to the genre of the work itself. Is it really a comic opera, or do the comedy events actually have the most serious meaning and effect? A "non-binding" exchange of couples will reveal an unexpected and irreversible truth among young couples. And the doubts also concern whether who is in fact the victim and against whom the strict finger of moral judgment rises. Are they women, as the name suggests ("They're all like that"), or should the opera be renamedCosì fan tutti ("Everyone is like that")? Namely, to make matters worse, Master Mozart coded the puzzle into the work: are the two girls, Fiordiligi and Dorabella, really just victims of an intrigue that the men had foolishly conceived? - or have they overlooked their intention right from the start and are now having a good time at the expense of the guys playing their game? So the question remains, what is this all about? Are they all so unfaithful? Not before: everyone is so crazy - and men naive !?