Name: Cupid and Death
Start: 2021-11-18T00:00:00.000Z
End: 2021-11-27T00:00:00.000Z
Location: Athénée Théâtre Louis-Jouvet

Organization

Singer

Perrine Devillers

Soloists

Lieselot De Wilde

Yannis François

Nicholas Merryweather

Lucile Richardot

Antonin Rondepierre

Stage director

Jos Houben

Emily Wilson

Conductor

Sébastien Daucé

Lighting designer

Christophe Schaeffer

Costume designer

Oria Puppo

Set designer

Dramaturge

Katherina Lindekens

Atelier Lyrique de Tourcoing

Athénée Théâtre Louis-Jouvet

Opéra Royal de Versailles

Opéra de Rennes

Opéra de Rouen Normandie

Théâtres de Compiègne

Orchestra

Ensemble Correspondances

ingelesa

Cupid and Death

Paris

France

Grande Salle

Cupid and Death Locke

Public

frantsesa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Contralto

Bass

Tenor

Countertenor

Mezzo-soprano

Bass-baritone

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Born in the 16th century in England, the "masks", or rather masks, had the characteristics of mixing music, song, dance, theater, grandiloquent decorations... in the service of a figure of power whose qualities were praised. All elements that would later flourish in the Baroque gesture and that we find in French court performances. 'Cupid & Death' (Cupid and Death) from November 18 to 27, 2021 Musicologist Charles Arden sheds light on the links between Eros and Thanatos in music. 'Cupid & Death', a mask with five entrances, begins with an inversion: Cupid shoots his arrows at two lovers and kills them, while death stings two old men ready to die with love tips. The Ensemble Correspondances thanks Vincent Meyer for his support. With the support of the National Music Center.

Prelude 'Cupid and death' by Charles Arden

Born in the 16th century in England, the "masks", or rather masks , had the characteristics of mixing music, song, dance, theater, grandiloquent decorations... in the service of a figure of power whose qualities were praised. All elements that would later flourish in the Baroque gesture and that we find in French court performances. Cupid & Death, a mask with five entrances, begins with an inversion: Cupid shoots his arrows at two lovers and kills them, while death stings with points of love two old men ready to die. The libretto by playwright James Shirley, adapted from an Aesop fable, imagines the consequences of what love become dead and death transformed into love would generate: a capital chaos where polarities are reversed, where nature goes mad and enemies discover themselves friends…

A spirited variation of deadly love that the duo of directors Jos Houben and Emily Wilson, accustomed to discrepancies and games of bodies and objects ( La Princesse lumière , 2017), will passionately renew.

English

Cupid and Death by Locke, ig. 21 aza. 2021, Noiztik (2021/2021), Zuzendaria Jos Houben, Emily Wilson,, Zuzendaria Sébastien Daucé, Athénée Théâtre Louis-Jouvet, Paris, France

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