At just 30 years old, Daniil Trifonov is considered one of the great pianists of our time. And not only with regard to his flawless technique and breathtaking virtuosity - the exceptional Russian artist seems to have a whiff of the magical, the ingenious. After his acclaimed performance at the final concert of the SHMF 2021 in Kiel Castle, Trifonov can be experienced in 2022 together with the Deutsche Kammerphilharmonie Bremen under the direction of the young conductor Ruth Reinhardt. The focus is on Brahms' first piano concerto. This characterizes a long and varied period of development: initially conceived as a sonata for two pianos, through a complete symphony to its final version, the masterful work is shaped from the outset by that longing, »romantic« conflict between forward-looking passion and paused self-reflection, in which dramatic and fiery outbursts alternate with moments of tender lyricism. Daniil Trifonov says with regard to his approaches to interpretation: "Especially in Romanticism, the music is never one-sided, dark or light. It's about exploring this tension, the turbulence of the human soul." Robert Schumann's Symphony No. 3, about which his wife Clara writes during the process of composition: "I sometimes hear the D minor ringing wildly from the distance, so I know in advance that this is another work created from the depths of my soul." in which dramatic and fiery outbursts alternate with moments of tender lyricism. Daniil Trifonov says with regard to his approaches to interpretation: "Especially in Romanticism, the music is never one-sided, dark or light. It's about exploring this tension, the turbulence of the human soul." Robert Schumann's Symphony No. 3, about which his wife Clara writes during the process of composition: "I sometimes hear the D minor ringing wildly from the distance, so I know in advance that this is another work created from the depths of my soul." in which dramatic and fiery outbursts alternate with moments of tender lyricism. Daniil Trifonov says with regard to his approaches to interpretation: "Especially in Romanticism, the music is never one-sided, dark or light. It's about exploring this tension, the turbulence of the human soul." Robert Schumann's Symphony No. 3, about which his wife Clara writes during the process of composition: "I sometimes hear the D minor ringing wildly from the distance, so I know in advance that this is another work created from the depths of my soul."
