Organization

Śpiewak

Baryton

Andrej Baturkin

Otokar

Stanislav Li

Roman Ulybin

Kuno

Stanislav Chernenkov

Sopran

Elena Bezgodkova

Agata

Maria Makeeva

Evgenia Afanasieva

Anusia

Maria Pakhar

Igor Korostylev

Kacper

Maxim Orlov

Tenor

Chingis Ayusheev

Maks

Vladimir Dmitruk

Kirill Matveev

Maxim Osokin

Pustelnik

Dmitry Kondratkov

Kilian

Ilya Pavlov

Reżyseria

Alexander Titel

Dyrygent

Fabrice Bollon

Timur Zangiev

Kostiumy

Irina Akimova

Scenografia

Yury Ustinov

Choreografia

Larisa Alexandrova

Przygotowanie chóru

Stanislav Lykov

Anastasya Chernovolos

Felix Kudryavtsev

Wideo

Pavel Suvorov

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

niemiecki

Der Freischütz, op. 77 -  (Wolny Strzelec)

Moskwa

Rosja

Stanislavsky and Nemirovich-Danchenko Music Theater

Main stage

Der Freischütz Weber

Public

Wolny Strzelec

Approved

В этот день в 18:15 в Музыкальной гостиной театра состоится лекция Дмитрия Абаулина «Волшебные пули виртуального мира», посвящённая опере «Вольный стрелок» К...

The Free Gunner is often referred to as the first German national opera. At the same time, it is one of the peaks of the romantic opera of the 19th century. Continuing the tradition of Mozart's singspiel (primarily The Magic Flute), Weber opened the way to the future for German music.

Expressive, catchy melodies and a fascinating plot instantly brought popularity to the "Free Gunner". From the first performances, held in June 1821 in Berlin under the direction of the author, the opera was an unprecedented success. The famous German writer Ernest Theodor Amadeus Hoffmann stated: “With this new great work, the composer has erected a monument to himself that will create an era in the history of German opera…”. That was absolutely true - with the advent of The Free Gunner in Germany, the dominance of Italian opera ended and a whole galaxy of national authors appeared, the most famous of which soon became Wagner.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga