Name: Der Freischütz, op. 77
Start: 2019-04-17T00:00:00.000Z
End: 2019-05-19T00:00:00.000Z
Location: Opéra national du Rhin

Organization

Singer

Soprano

Lenneke Ruiten

Agathe

Josefin Feiler

Ännchen

Tenor

Jussi Myllys

Bass

David Steffens

Caspar

Frank van Hove

Kuno

Baritone

Jean-Christophe Fillol

Kilian

Ashley David Prewett

Ottokar

Roman Polasidov

A Hermit

Conductor

Patrick Lange

Stage director

Jossi Wieler

Sergio Morabito

Set designer

Nina von Mechow

Lighting designer

Voxi Bärenklau

Dramaturge

La Monnaie/De Munt

Opéra National du Rhin

alemana

Der Freischütz, op. 77 -  (The Marksman)

Mulhouse

France

La Filature

Salle modulable

Strasbourg

Opéra national du Rhin

Der Freischütz, op. 77 Weber

Private

The Marksman

frantsesa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Der Freischütz - Entretien avec Lenneke Ruiten

Der Freischütz" by Carl Maria von Weber (1786-1826) had an enormous impact when it premiered in 1821. The German composer's dedicated effort to break with the traditions of Italian opera was celebrated as the birth of German Romantic opera. The unprecedented importance given to the orchestra and the dramatic subtlety of Max's fantastic story unfolding got both Beethoven and Wagner excited. For their French debuts, stage directors Jossi Wieler and Sergio Morabito are probing the ideological background of this story, which centers on the diabolic pact which hunter Max makes with an evil, supernatural force. This wins him not just the victory at a shooting contest, but also the hand of young Agathe, with whom he is hopelessly in love. Patrick Lange is making his debut at the OnR as conductor of the Orchestre symphonique de Mulhouse.

English

The Marksman by Von Weber, al. 29 api. 2019, Noiztik (2019/2019), Zuzendaria Jossi Wieler, Sergio Morabito,, Zuzendaria Patrick Lange, Opéra national du Rhin, Strasbourg, France

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