Organization

Dirección orquestal

Nicholas Carter

Dirección de escena

Dirección de escena (+3)

Stefan Herheim

Escenografía

Silke Bauer

Diseño de vestuario

Escenografía (+1)

Uta Heiseke

Dramaturgo

Dramaturgo (+1)

Alexander Meier-Dörzenbach

Jörg Königsdorf

Bajobarítono (+2)

Iain Paterson

Wotan

Barítono (+5)

Thomas Lehman

Donner

Tenor

Attilio Glaser

Froh

Tenor (+5)

Thomas Blondelle

Loge

Barítono (+3)

Jordan Shanahan

Alberich

Tenor (+6)

Ya-Chung Huang

Mime

Bajo (+3)

Albert Pesendorfer

Fasolt

Mezzosoprano (+5)

Annika Schlicht

Fricka

Soprano (+1)

Flurina Stucki

Freia

Mezzosoprano (+2)

Karis Tucker

Flosshilde

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Mezzosoprano (+3)

Arianna Manganello

Wellgunde

Soprano

Lea-ann Dunbar

Woglinde

Dirección orquestal (+1)

Donald Runnicles

Iluminación

Ulrich Niepel

Bajo (+1)

Tobias Kehrer

Fafner

Contralto (+2)

Lauren Decker

Erda

Video

Video (+2)

Torge Møller

Contralto (+5)

Lindsay Ammann

Richard Wagner described DAS RHEINGOLD as the “eve” of his stage festival DER RING DES NIBELUNGEN – a term that is certainly no coincidence reminiscent of the prologues of baroque opera. Because here as well as there the gods have the word and create the basic conditions under which the fates of the people will later be decided. And just like the ancient deities in Monteverdi, their Nordic relatives in Wagner are beings in which the driving forces of human existence are embodied. In the almost two and a half hours of RHEINGOLD, all the feelings, desires and thoughts that also determine our own existence appear. Starting with the innocent playfulness of the Rhinemaidens, whose gold was stolen by the Nibelung Alberich, about the unbridled lust for power of this dwarf and the mocking nihilism of the fire god Loge to the attempt of the father of the gods Wotan to create lasting values ​​with his castle Valhalla. And last but not least, there is the gold itself as the silent protagonist.

With its claim to explain the world and its sheer length in time, DER RING DES NIBELUNGEN is the greatest challenge for every opera director. At the Deutsche Oper Berlin, Stefan Herheim set himself the task of translating the ideas of Wagner's tetralogy into the 21st century. Winner of many awards, the Norwegian is one of the most important directors of our time: in his works, he repeatedly makes clear the historical connections and the history of the impact of the respective operas.

Der Ring des Nibelungen – Das Rheingold

Elenco

Wotan

Donner

Froh

Loge

Alberich

Mime

Fasolt

Fricka

Freia

Flosshilde

Wellgunde

Woglinde

Fafner

Erda

Equipo

Dirección de escena

Dirección orquestal

Escenografía

Diseño de vestuario

Iluminación

Dramaturgo

Video

Instrumentación

Productor

Productor

Ensamble

Orquesta

Coproductor

Fotografías

Sobre

Compositor

Libreto

Descripción

Sinopsis de Producción